Marvelous marble

St. Mark's Basilica in Venice, Italy "is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold)"

"The first St Mark's was a temporary building in the Doge's Palace, constructed in 828, when Venetian merchants stole the supposed relics of Mark the Evangelist from Alexandria. This was replaced by a new church on its present site in 832; from the same century dates the first St Mark's Campanile (bell tower). The new church was burned in a rebellion in 976, rebuilt in 978 and again to form the basis of the present basilica since 1063. The basilica was consecrated in 1094, the same year in which the body of Saint Mark was supposedly rediscovered in a pillar by Vitale Faliero, doge at the time. The building also incorporates a low tower (now housing St Mark’s Treasure), believed by some to have been part of the original Doge's Palace. Within the first half of the 13th century the narthex and the new façade were constructed, most of the mosaics were completed and the domes were covered with higher wooden, lead-covered domes in order to blend in with the Gothic architecture of the redesigned Doge's Palace."

"While the basic structure of the building has been much altered, its decoration changed greatly over time. The succeeding centuries, especially the fourteenth, all contributed to its adornment, and seldom did a Venetian vessel return from the Orient without bringing a column, capitals, or friezes, taken from some ancient building, to add to the fabric of the basilica. Gradually, the exterior brickwork became covered with various marbles and carvings, some much older than the building itself (see Four Tetrarchs, below). The last interventions concerned Baptistery and St Isidor’s Chapel (1300s), the carvings on the upper profile of the facade and the Sacristy (1400s), the Zen Chapel (1500s). This cathedral is a prime example of Gothic architecture due to the fact of its appearance from a distance."

en.wikipedia.org/wiki/St_Mark%27s_Basilica

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