Marie Brema by Aime Dupont
Marie Brema by Ritzmann
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Marie Moreau-Sainti by Disderi
Théophile-Adolphe Manoury by Pierre Petit
Marie Renard by Adele
Ernst Van Dyke & Marie Renard by Adele
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Elias Nathan by Bureau
Bernadine Hamakers By Disderi
Marie Blanch Peschard by Maunoury
Giulia Sanchioli-de-Filippi by Unknown
Pauline Viardot-Garcia by Carjat (1)
Minna Peschka-Leutner by Eulenstein
Therese Malten By Hoffert
Blanch Boidin-Puisais by Luzzatto (Autographed 190…
Sigrid Arnoldson by Reutlinger
Adelaide Phillips by Sarony
Ilma De Murska By Gurney
Mole-Truffier Reverse by Chalot
Marie Rappold by Aime Dupont
Mily Meyer by Chalot
Marie Rappold by Aime Dupont
Georg Anthes by Aime Dupont
Baptiste Pierre Marty by Bernoud
Louis Henri Obin by Disderi
Charles Marie August Ponchard by Reutlinger
Auguste-Acanthe Boudouresque by Pierre Petit
Janet Patey by Downey Autographed
Simms Reeves by Unknown
Louise Liebhardt by Elliott & Fry
Anton Woworsky by Luckhardt
Minnie Hauk by Ross (3)
Julian Gayarre by Benque
Marie Lafargue by Bugle Autographed
Albert Niemann by Bieber
Marguerite Vaillant-Couturier by Le Jeune
Anton Schott by Hoffert
Blanche Marchesi ?????
Edmond Cabel by Bureau
Jules Layolle by Unknown
Unknown
Emma Calve by Aime Dupont
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Adelaide Phillips by Unknown
ADELAIDE PHILLIPS
(26 October 1833-3 October 1882)
English Contralto
Came to the United States with her family at the age of seven . When Jenny Lind appeared in Boston in 1850, Adelaide sang for her, and was advised to go to Europe. Pupil of Manuel García.Continued her studies in Italy, and made her début 1853 at Brescia, as Arsace in Semiramide. She sang also in Milan and other cities. Her stage name in Europe was Signorina Fillippi.In 1855 she returned to the US and appeared in Italian opera in Philadelphia and New York City. and travelled to Havana Cuba .
In 1860 she made her first appearance in oratorio with the Handel and Haydn Society, Boston, in the Messiah. The following year she went abroad again, and appeared in Paris as Azucena in " Il Trovatore." After a professional tour in Europe she returned to the US. In 1864 she went again to Havana, and from that time until her death she appeared in opera, oratorio, and concerts the USn. She organised her own opera company "The Adelaide Phillipps Opera Company " in 1876, and in 1879 she joined the" Ideal Opera Company", remaining until 1881, when she made her last appearance on the stage in Cincinnati, Ohio.
(26 October 1833-3 October 1882)
English Contralto
Came to the United States with her family at the age of seven . When Jenny Lind appeared in Boston in 1850, Adelaide sang for her, and was advised to go to Europe. Pupil of Manuel García.Continued her studies in Italy, and made her début 1853 at Brescia, as Arsace in Semiramide. She sang also in Milan and other cities. Her stage name in Europe was Signorina Fillippi.In 1855 she returned to the US and appeared in Italian opera in Philadelphia and New York City. and travelled to Havana Cuba .
In 1860 she made her first appearance in oratorio with the Handel and Haydn Society, Boston, in the Messiah. The following year she went abroad again, and appeared in Paris as Azucena in " Il Trovatore." After a professional tour in Europe she returned to the US. In 1864 she went again to Havana, and from that time until her death she appeared in opera, oratorio, and concerts the USn. She organised her own opera company "The Adelaide Phillipps Opera Company " in 1876, and in 1879 she joined the" Ideal Opera Company", remaining until 1881, when she made her last appearance on the stage in Cincinnati, Ohio.
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