10 favorites     1 comment    356 visits

1/125 f/16.0 105.0 mm ISO 400

Asahi Optical Co. Asahi Pentax 6X7

Super-Takumar/6X7 1:2.4/105

EXIF - See more details

Location

Lat, Lng:  
You can copy the above to your favourite mapping app.
Address:  unknown

 View on map

See also...

I ♥ Film I ♥ Film


120 film medium format 120 film medium format


I Shoot Film I Shoot Film


New Flickr Survivors New Flickr Survivors


Cucho B&W Cucho B&W


Pentax Pentax


Coup de coeur !!! Coup de coeur !!!


Film Photography Film Photography


NATURE!! NATURE!!


Rollfilm Rollfilm


Film Film


Black and White Black and White


See more...

Keywords

Sand Pipes
Kodachrome Basin State Park
Utah
Asahi Pentax 6 X 7
Super-Takumar/6X7 1:2.4/105 lens
Zenza Bronica 67mm SY48•2C(Y2) filter
Bergger Pancro400 film
Black & White
6 X 7
120 film
Medium Format
Epson Perfection V600
Photoshop Digitalization


Authorizations, license

Visible by: Everyone
All rights reserved

356 visits


Monolith

Monolith
Deep in the canyon-country of southern Utah is a beautiful state park called Kodachrome Basin where there are 67 sandstone pillars from a few feet to 52 feet across, which stand vertically as high as 172 feet above the basin floor. Composition of the pillars consists of rounded pebbles, cobbles, carbonized wood, and wildly tilted meter-sized blocks of sedimentary rock, all floating in a matrix of well-cemented sandstone. The sandstone matrix matches in composition with a layer known to be buried 300 feet below the basin floor suggesting that these pillars were somehow suddenly injected upward. Eventually the sediment de-watered and turned to stone, but for whatever reason, the injected sand bodies or injectites hardened to a greater degree than their surrounding host-rock. Erosion later preferentially removed the softer host-rock, exposing as stony pillars or “pipes” what had once been conduits for the explosively injected sand slurries.
Just how this process occurred is a mystery.

This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Takumar/6X7 1:2.4/105mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Bergger Pancro400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

, Annalia S., Berny, Typo93 and 6 other people have particularly liked this photo


Comments
 Proxar
Proxar
Very beautiful work!
4 years ago.

Sign-in to write a comment.