Célestine Galli-Marié by Carjat (2)
Letter by Célestine Galli-Marié to Mr. Briet
Célestine Galli-Marié by Bingham
Célestine Galli-Marié by Lumière
Célestine Galli-Marié by Nadar (2)
Blanche Cole by Elliott & Fry
Angelina Luger by Leopold Bude
Angelina Luger's autograph at the back
Caroline Girard by Franck
Achille-Felix Montaubry by Carjat
Gabrielle Krauss by Petit
Jean-Baptiste Faure by Reutlinger (4) with autogra…
Jean-Baptiste Faure by Disdéri (5)
Italo Gardoni by Chancellor
Marie-Julie Baretti by Bureau
Edmond Duvernoy by Ken
Mathieu-Émile Balanqué by Constantin
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Adele Isaac by Reutlinger
Adele Isaac's autograph at the back
Armand Castelmary by Niclas
Armand Castelmary's autograph at the back
Marc Bonnehée by Petit with autograph
Antoine Renard by Victoire with autograph
Eugène Lorrain's autograph at the back
Eugène Lorrain by Carjat
Elisa Volpini's autograph at the back
Elisa Volpini by Cezar Massat
Regina Pacini by Atelier Fillon (Bobone)
Adelina Patti and Giovanni Mario by Caldesi
Enrico Tamberlick by Negretti & Zambra
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Céline Anna van Ghell; dedication and signed Anna
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Zoé Bélia by Numa Blanc
Marie van Zandt by Benque (4)
Rosine Bloch by Petit (2)
Victor Maurel by Nadar
Augusto Brogi by Bini
Mira Heller's autograph at the back (1)
Mira Heller by Antonopoulo (1)
Mira Heller's autograph at the back (2)
Mira Heller by Antonopoulo (2)
Jules-Célestien Devoyod by Unknown with autograph
Alma Fohström von Rode by Trunov with autograph
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Therese Tietjens by Mayall with autograph
Therese Tietjens (1831-1877); German soprano.
In 1848 she made her debut at the Stadttheater von Hamburg as Irma in Auber’s “Le maçon”. From 1850/53 she was engaged at the Opernhaus von Frankfurt a.M. Here she sang at the première of Lortzing’s “Die Opernprobe” in 1851. From 1853/59 she was engaged at the Wiener Hofoper. In 1858 she made a guest appearance in London at Her Majesty’s Theatre and from 1859 until her death she lived and performed in London ( also at the Drury Lane Theatre and Covent Garden). She sang at several English premières of international well known opera’s: as Medea in Cherubini’s eponymous opera (1865), as Elena in “I vespri Siciliani” (1859), as Amalia in “Un ballo in maschera” (1861), as Leonore in “La forza del destino” (1867), as Marguerite in “Faust” (1863), as Frau Fluth in “Die lustigen Weiber von Windsor” (1864) and as Mireille in the eponymous opera by Gounod (1864). In 1875/76 she made a very successful tour in the USA. She was also a highly esteemed oratorio and concert singer. She also appeared at Royal Court concerts for Queen Victoria, who was very fond of her. In 1877 she died of cancer at the age of 46. Her last performance was Lucrezia Borgia; during the performance she collapsed and she died two months later.
In 1848 she made her debut at the Stadttheater von Hamburg as Irma in Auber’s “Le maçon”. From 1850/53 she was engaged at the Opernhaus von Frankfurt a.M. Here she sang at the première of Lortzing’s “Die Opernprobe” in 1851. From 1853/59 she was engaged at the Wiener Hofoper. In 1858 she made a guest appearance in London at Her Majesty’s Theatre and from 1859 until her death she lived and performed in London ( also at the Drury Lane Theatre and Covent Garden). She sang at several English premières of international well known opera’s: as Medea in Cherubini’s eponymous opera (1865), as Elena in “I vespri Siciliani” (1859), as Amalia in “Un ballo in maschera” (1861), as Leonore in “La forza del destino” (1867), as Marguerite in “Faust” (1863), as Frau Fluth in “Die lustigen Weiber von Windsor” (1864) and as Mireille in the eponymous opera by Gounod (1864). In 1875/76 she made a very successful tour in the USA. She was also a highly esteemed oratorio and concert singer. She also appeared at Royal Court concerts for Queen Victoria, who was very fond of her. In 1877 she died of cancer at the age of 46. Her last performance was Lucrezia Borgia; during the performance she collapsed and she died two months later.
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