Heinrich Vogl by Bieber
Theodor Reichmann by Bieber
Zaré Thalberg's autograph at the back
Zaré Thalberg by Elliott & Fry
Zaré Thalberg by Stereoscopic (1)
Anton Erl by Teich-Hanfstaengl
Adolf Wallnöfer's autograph at the back
Adolf Wallnöfer by Rabending
Marietta Piccolomini by Silvy (2)
Barbara Marchisio by Constantin
Barbara and Carlotta Marchisio by Bernoud (1)
Carlotta Marchisio by d'Alessandri (2)
Barbara and Carlotta Marchisio by Nelson & Marshal…
Barbara and Carlotta Marchisio by Bernoud (2)
Barbara Marchisio by Disdéri (1)
Barbara and Carlotta Marchisio by Disdéri (2)
Barbara Marchisio by Disdéri (2)
Emilio Naudin by Helm
Giovanni Mario by Moliné y Albareda
Giovanni Mario by Martinez y Hermano
Short note with autograph Enrico Tamberlick (p2-3)
Short note with autograph Enrico Tamberlick (p1)
Autographed Tamberlick quotation from Rossini's Ot…
Anna Kratz by Mahlknecht
Anna Kratz by Krziwanek
Anna Kratz by Schrank & Massak
Josefine Gallmeyer by Märkl
Josefine Gallmeyer by Herberth
Josefine Gallmeyer's autograph at the back
Anna Grobecker by Löwy
Anna Grobecker by Rabending
Anna Grobecker by Graf
Emil Scaria by Luckhardt
Theodor Wachtel by Julius Giere (2)
Short note with autograph Theodor Wachtel
Elisabeth Frandin by Rossi
Marie van Zandt by Benque (2)
Mélanie-Charlotte Reboux by Liébert
Hermine (Erminia) Rudersdorff by King
Visiting card Hermine (Erminia) Rudersdorff; music…
Adelaide Phillipps by Sarony
Adrienne Darly by Luckhardt
Emilia Tagliana by Székely
Emilia Tagliana's autograph at the back
Emilia Tagliana by Adèle (3)
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Hermann Winkelmann by Bieber
Hermann Winkelmann (1849-1912); German tenor who in 1882 created the role of Parsifal in Wagner's eponymous opera.
In 1875 he made his debut as Manrico in Verdi's "Il Trovatore" at the Hoftheater von Sondershausen in Thüringen. He had engagements in Altenburg, Darmstadt and Leipzig before joining the Stadttheater von Hamburg in 1878. Here he created in 1879 the role of Néron (Nero) in Rubinstein's eponymous opera. This was in a German translation of this work that had its Russian première not until 1884. In the following years of his career he became a "Heldentenor" specialising in Wagner operas. He was known for the title roles of "Tannhäuser" and "Lohengrin", and as Walther von Stolzing in "Die Meistersinger von Nürnberg". In 1882 he created at Bayreuth the role of Parsifal in the première of Wagner's eponymous opera. In 1883 he was engaged at the Wiener Hofoper, where he was celebrated mainly for his Wagner performances. In 1883 he was the first Tristan in Vienna and also the first Otello in that city, where he remained until 1906. In 1884 he appeared in the United States at Wagner festivals in New York, Chicago, Boston and Cincinnati. He toured with Emil Scaria and Amalie Materna, with whom he had performed at the Wiener Hofoper. He later sang in concert, oratorio and lieder. He retired from the stage in 1907. His son Hans Winkelmann (1881-1943) was also a well known tenor
In 1875 he made his debut as Manrico in Verdi's "Il Trovatore" at the Hoftheater von Sondershausen in Thüringen. He had engagements in Altenburg, Darmstadt and Leipzig before joining the Stadttheater von Hamburg in 1878. Here he created in 1879 the role of Néron (Nero) in Rubinstein's eponymous opera. This was in a German translation of this work that had its Russian première not until 1884. In the following years of his career he became a "Heldentenor" specialising in Wagner operas. He was known for the title roles of "Tannhäuser" and "Lohengrin", and as Walther von Stolzing in "Die Meistersinger von Nürnberg". In 1882 he created at Bayreuth the role of Parsifal in the première of Wagner's eponymous opera. In 1883 he was engaged at the Wiener Hofoper, where he was celebrated mainly for his Wagner performances. In 1883 he was the first Tristan in Vienna and also the first Otello in that city, where he remained until 1906. In 1884 he appeared in the United States at Wagner festivals in New York, Chicago, Boston and Cincinnati. He toured with Emil Scaria and Amalie Materna, with whom he had performed at the Wiener Hofoper. He later sang in concert, oratorio and lieder. He retired from the stage in 1907. His son Hans Winkelmann (1881-1943) was also a well known tenor
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