Marie Caroline Miolan-Carvalho by Petit (1)
Enrico Tamberlick by Bergamasco (2)
Enrico Tamberlick by Mayer & Pierson (1)
Enrico Tamberlick by Gurney
Giuseppina Vitali-Augusti by Reutlinger
Virginia Whiting Lorini by (not readable)
Rita Bernardi-Fabbrica by Bergamasco
Emilio Naudin by Trinquart
Emilio Pancani by Ken
Gaetano Ferri by Gurney
Karl and Theodor Formes by Lehmann
Alois Ander by Angerer
Giovanni Zucchini by Mayer & Pierson
Emma Albani by Nadar (1)
(NOT) Emma Albani by Nadar (2)
Adelina Patti by Wesenberg
Adelina Patti by Mayer & Pierson
Adelina Patti by Hallier
Adelina Patti by Southwell
Angelo Masini by Wesenberg
Roberto Stagno by Fiedler
Italo Campanini by Stereoscopic
Marietta Alboni by Gurney
Marie Caroline Miolan-Carvalho by Reutlinger
Pierre-Jules Michot by Carjat
Pierre-Jules Michot by Disdéri
Pierre-Jules Michot by Petit
José Dupuis by Numa Fils
José Dupuis by Gaston & Mathieu
José Dupuis by Carjat
Edouard de Reszke by Pollock
Jean de Reszke by Benque
Jean-Baptiste Faure by Reutlinger (1)
Jean-Baptiste Faure by Numa Blanc (2)
Jean-Baptiste Faure by Numa Blanc (1)
Louis-Henri Obin by Disdéri
Jean-Baptiste Faure by Disdéri (3)
Jean-Baptiste Faure by Disdéri (2)
Jean-Baptiste Faure by Disdéri (1)
Jean-Vital Jammes (Ismaël) by Carjat
Francesco Graziani by Disdéri (2)
Francesco Graziani by Disdéri (1)
Gaetano Fraschini by Trinquart
Leone Giraldoni by Trinquart
Erminia Frezzolini by Mayer & Pierson
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Marie Caroline Miolan-Carvalho by Bacard
Marie Caroline Miolan-Carvalho, born Marie Caroline Félix-Miolan (1827-1895); French soprano who sang in various premières. The best known are in opera's by Charles Gounod: Marguerite in "Faust" (1859), Baucis in "Philemon et Baucis" (1860) , Sylvie in "La colombe" (1860), the title-role in "Mireille" (1864) and Juliette in "Roméo et Juliette"(1867). She studied singing at the Conservatoire National de Paris where she was a pupil of the famous tenor Gilbert Duprez. In 1849 she made her debut at the Opéra in Brest as Isabella in Meyerbeer's "Robert le Diable". In that same year she was engaged in Paris at the Opéra-Comique where she debuted very successfully in the title role of "Lucia di Lammermoor". Here she remained until 1855. In 1853, she married Léon Carvalho, a French impresario and director of the Théâtre-Lyrique. After their marriage, she began to use the name Caroline Carvalho instead of Marie Miolan and became the prima donna at the Théâtre-Lyrique from 1856 to 1867. From 1868 until her retirement from the stage in 1885 she performed at the Opéra-Comique and at the Grand Opéra Paris. She made international guest appearances at London, Berlin, Brussels and St. Petersburg.
On the photo she is seen as Juliette in Gounod's "Roméo et Juliette".
On the photo she is seen as Juliette in Gounod's "Roméo et Juliette".
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