From the Assunta church to the lake
House On The Hill
Romanic foro and PAlatino hill ruins, HFF
Encroaching Clouds.
Mirror Image
Near Whakamaru
Rock Ready To Roll.
Fall colour in Kananaskis
Opposite Dunham Park.
King Of The Hill
Hilltop Forget-Me-Nots
Rock On The Hill
Athens 2020 – Snow
Athens 2020 – Snow
Athens 2020 – View of Lycabettus Hill
Harcourt Hill and Boars Hill
Athens 2020 – View of the snowy mountains
Bluebell Hill
Another spring landscape
Knoll On A Local Farm.
Shed on the hill
Medellin
The Land Rises
10%
Moss hill
West Kennet
The Bridge
Rocca albornoziana
A Land Of Rocks,
graveyard
Field colour and geometry.
Buckton Hill
People laying siege to the Burcht
Under Gathering Clouds.
Rocky Hillside.
edge of the Chilterns
H F F
The Little Church in the Field
Line Of Trees.
Waitomo Area.
church on the hill
Rocky Hillside
View From Above.
Lookout above Tokoroa
Double Breasted Coat
Snow on the Hill Fort
Old and Left to Rot.
Standing Alone.
Peeping Through
Quabbin Reservoir in the Snow
Lost road
H F F
Shivering mountain
Day 6, Hotel Tadoussac, Quebec
Fence with Lichen
On top of the hill
The Footbridge Over the Relief Road
Up On The Hill
Beauty of winter (well, late fall)
A view from Chain Lakes
On the way to Chain Lakes
Rural decay down south
Into the sun at Pine Coulee Reservoir
Clouds over Chain Lakes
Evaporation
Location
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Chiesa di Santa Maria Assunta
In cima alla salita della Motta ("collina", in lombardo), si erge la chiesa di Santa Maria Assunta, edificata nel 1485 e ricostruita nella seconda metà del XVIII secolo.
L'originario impianto tardoromanico fu arricchito con dipinti del XVII e XVIII secolo, ad opera del Rossetti, del Cantalupi e dell'Orgiazzi, Nella cappella Gemelli si può ammirare una tela del Procaccini, raffigurante San Carlo alla processione della peste di Milano; si tratta di uno degli esempi più significativi del primo Seicento lombardo. La facciata è di Carlo Nigra ed è preceduta da un protiro su colonnine binate del XVII secolo.
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At the top of the salita della Motta ("hill", in Lombard), stands the church of Santa Maria Assunta, built in 1485 and rebuilt in the second half of the eighteenth century.
The original late Romanesque structure was enriched with paintings of the seventeenth and eighteenth centuries, by Rossetti, Cantalupi and Orgiazzi, In the Gemelli chapel you can admire a painting by Procaccini, depicting St. Charles in the procession of the plague in Milan, this is one of the most significant examples of the early seventeenth century Lombard. The facade is by Carlo Nigra and is preceded by a prothyrum on twin columns of the seventeenth century.
Translated with www.DeepL.com/Translator
Translate into English
L'originario impianto tardoromanico fu arricchito con dipinti del XVII e XVIII secolo, ad opera del Rossetti, del Cantalupi e dell'Orgiazzi, Nella cappella Gemelli si può ammirare una tela del Procaccini, raffigurante San Carlo alla processione della peste di Milano; si tratta di uno degli esempi più significativi del primo Seicento lombardo. La facciata è di Carlo Nigra ed è preceduta da un protiro su colonnine binate del XVII secolo.
------------------------------------
At the top of the salita della Motta ("hill", in Lombard), stands the church of Santa Maria Assunta, built in 1485 and rebuilt in the second half of the eighteenth century.
The original late Romanesque structure was enriched with paintings of the seventeenth and eighteenth centuries, by Rossetti, Cantalupi and Orgiazzi, In the Gemelli chapel you can admire a painting by Procaccini, depicting St. Charles in the procession of the plague in Milan, this is one of the most significant examples of the early seventeenth century Lombard. The facade is by Carlo Nigra and is preceded by a prothyrum on twin columns of the seventeenth century.
Translated with www.DeepL.com/Translator
Nouchetdu38, Mariagrazia Gaggero, Gudrun, Jean-luc Drouin and 6 other people have particularly liked this photo
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