MJ Maccardini (trailerfullofpix)'s photos with the keyword: fear

IMG 9800-001-Lincoln's Inn Fields Fountain

05 Jul 2023 1 214
Grade II listed fountain in the north west corner of Lincoln's Inn Fields. Erected in 1861, restored c.1992. Inscription reads "The Fear of the Lord is a Fountain of Life". Further repairs are planned.

IMG 9802-001-Lincoln's Inn Fields Fountain Side

05 Jul 2023 149
Grade II listed fountain in the north west corner of Lincoln's Inn Fields. Erected in 1861, restored c.1992. Inscription reads "The Fear of the Lord is a Fountain of Life". Further repairs are planned.

The Name of Fear 7

24 Dec 2015 1 337
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.

The Name of Fear 6

24 Dec 2015 343
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.

The Name of Fear 5

24 Dec 2015 344
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.

The Name of Fear 4

24 Dec 2015 335
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.

The Name of Fear 3

24 Dec 2015 360
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.

The Name of Fear 2

24 Dec 2015 326
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.

The Name of Fear 1

24 Dec 2015 339
The 2015 Children's Commission at the Whitechapel Gallery. Brazilian artist Rivane Neuenschwander’s (b. 1967) explores childhood fears, in a display of vibrant handmade capes that combines elements of drawing, textiles, design, performance and writing. The artist worked with children aged 7 to 9 from across London to gather a collection of fears – ranging from ‘heights’ and ‘bees’, to ‘strangers’ and ‘nightmares’, and the more abstract ‘silence’. Neuenschwander has translated the children’s drawings and texts into fabric cape designs. Associated with protection and supernatural power, the capes also echo the artists’ interest in folk traditions, children’s literature, nature, psychoanalysis, and in the rich history of modern art in her native country.