LaurieAnnie's photos with the keyword: print

Title: Super Diva! Artist: Julie Torres (American, born Boise, Idaho 1980) Subject: Ruth Bader Ginsburg (American, Brooklyn 1933–2020 Washington, D.C.) Date: 2020 Medium: Screenprint Dimensions: 20 × 16 in. (50.8 × 40.6 cm) Classification: Prints Credit Line: Gift of Julie Torres, 2021 Object Number: 2021.93 "Super Diva!" celebrates the trailblazing Supreme Court Justice Ruth Bader Ginsburg. It was made after her death in September 2020 when there was much reflection on her historic legacy and the great loss her death presented to the Court and the country. The image, primarily in tones of pink and purple, shows the Justice in her traditional robe with her celebrated decorative collar, this one made of South African beads. Justice Ginsburg turns her body to stare directly at the viewer. Her pose presents her as monumental, even though she was barely five feet tall, a reference to her towering importance and powerful arguments made as both an attorney and a judge to advance and protect civil liberties. Surrounding her figure are notable quotes from her arguments and interviews, including statements in favor of women's rights and "I dissent." Text from: www.metmuseum.org/art/collection/search/851386

Title: Super Diva! Artist: Julie Torres (American, born Boise, Idaho 1980) Subject: Ruth Bader Ginsburg (American, Brooklyn 1933–2020 Washington, D.C.) Date: 2020 Medium: Screenprint Dimensions: 20 × 16 in. (50.8 × 40.6 cm) Classification: Prints Credit Line: Gift of Julie Torres, 2021 Object Number: 2021.93 "Super Diva!" celebrates the trailblazing Supreme Court Justice Ruth Bader Ginsburg. It was made after her death in September 2020 when there was much reflection on her historic legacy and the great loss her death presented to the Court and the country. The image, primarily in tones of pink and purple, shows the Justice in her traditional robe with her celebrated decorative collar, this one made of South African beads. Justice Ginsburg turns her body to stare directly at the viewer. Her pose presents her as monumental, even though she was barely five feet tall, a reference to her towering importance and powerful arguments made as both an attorney and a judge to advance and protect civil liberties. Surrounding her figure are notable quotes from her arguments and interviews, including statements in favor of women's rights and "I dissent." Text from: www.metmuseum.org/art/collection/search/851386

Title: Page from the Mustard Seed Garden Manual of Painting Artist: Illustrated by Wang Gai (Chinese, 1645–1710) Period: Qing dynasty (1644–1911) Date: first edition printed in 1679 Culture: China Medium: Woodblock print; ink and color on paper Dimensions: 9 5/8 x 11 13/16 in. (24.4 x 30 cm) Classification: Prints Credit Line: Rogers Fund, 1924 Object Number: CP45 Text from: www.metmuseum.org/art/collection/search/63343

Title: Page from the Mustard Seed Garden Manual of Painting Artist: Illustrated by Wang Gai (Chinese, 1645–1710) Period: Qing dynasty (1644–1911) Date: first edition printed in 1679 Culture: China Medium: Woodblock print; ink and color on paper Dimensions: 9 5/8 x 11 13/16 in. (24.4 x 30 cm) Classification: Prints Credit Line: Rogers Fund, 1924 Object Number: CP45 Text from: www.metmuseum.org/art/collection/search/63343

Title: Sharecropper Artist: Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca) Printer: Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca) Printer: José Sánchez (Mexican, active 1945–1985) Publisher: Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca) Publisher: Taller de Gráfica Popular, Mexico City Date: 1952 (published 1968–70) Medium: Linocut Dimensions: block: 17 11/16 x 16 7/8 in. (44.9 x 42.9 cm) sheet: 30 x 22 1/4 in. (76.2 x 56.5 cm) Classification: Prints Credit Line: John B. Turner Fund, 1981 Accession Number: 1981.1098.1 Catlett drew on the formal vocabularies of Cubism and Mexican muralism in works that engage social-justice issues. "Sharecropper" is a powerful portrait of an anonymous woman that calls attention to the hardships experienced by tenant farmers of the American South, who were required to pay for the land they rented with part of their crop and thus often faced lifelong debt. Catlett was deeply invested in the democratic potential of printmaking and was particularly drawn to techniques like the linoleum cut that were inexpensive to produce and could generate large editions. She created "Sharecropper" at the Taller de Gráfica Popular (People’s Graphic Workshop) in Mexico City, which was dedicated to the production of socially engaged prints." Text from: www.metmuseum.org/art/collection/search/364497

Title: Sharecropper Artist: Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca) Printer: Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca) Printer: José Sánchez (Mexican, active 1945–1985) Publisher: Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca) Publisher: Taller de Gráfica Popular, Mexico City Date: 1952 (published 1968–70) Medium: Linocut Dimensions: block: 17 11/16 x 16 7/8 in. (44.9 x 42.9 cm) sheet: 30 x 22 1/4 in. (76.2 x 56.5 cm) Classification: Prints Credit Line: John B. Turner Fund, 1981 Accession Number: 1981.1098.1 Catlett drew on the formal vocabularies of Cubism and Mexican muralism in works that engage social-justice issues. "Sharecropper" is a powerful portrait of an anonymous woman that calls attention to the hardships experienced by tenant farmers of the American South, who were required to pay for the land they rented with part of their crop and thus often faced lifelong debt. Catlett was deeply invested in the democratic potential of printmaking and was particularly drawn to techniques like the linoleum cut that were inexpensive to produce and could generate large editions. She created "Sharecropper" at the Taller de Gráfica Popular (People’s Graphic Workshop) in Mexico City, which was dedicated to the production of socially engaged prints." Text from: www.metmuseum.org/art/collection/search/364497

Saint Christopher and Saint John the Baptist (Sch.1379m) ca. 1480–90 Jorg Glockendon German Object Details Title: Saint Christopher and Saint John the Baptist (Sch.1379m) Artist and publisher: Jorg Glockendon (German, late 15th century) Date: ca. 1480–90 Medium: Woodcut, hand-colored. Dimensions: 9-1/2 x 6-3/4 in. (cut just outside the picture) Classification: Prints Credit Line: Bequest of James Clark McGuire, 1930 Accession Number: 31.54.114 Text from: www.metmuseum.org/art/collection/search/337752

Jasper Johns (artist) American, born 1930 Hiroshi Kawanishi (printer) Japanese, active second half 20th century Makoto Kawano (printer) Japanese, active second half 20th century Kenjiro Nonaka (printer) Japanese, active second half 20th century Takeshi Shimada (printer) Japanese, active second half of 20th century Simca Print Artists, Inc., New York (publisher) Target, 1974 color screenprint on J.B. Green Paper sheet: 88.6 x 69.6 cm (34 7/8 x 27 3/8 in.) ULAE 1994, no. 147 Reba and Dave Williams Collection, Gift of Reba and Dave Williams 2008.115.5208 Text from: www.nga.gov/fcgi-bin/tinfo_f?object=149504

Lichtenstein, Roy, Imperfect Diptych [from the Imperfect Series], 1988, Woodcut, screen print, and collage on museum board; overall: 57 7/8 in x 97 3/4 in; 147.0025 cm x 248.285 cm. Gift of Sidney Stolz and David Hatfield, 2009. Works on Paper, 2009.005.0001, American. Text from the Phillips Collection website.