LaurieAnnie's photos with the keyword: skull
Momento Mori Mosaic in the Naples Archaeological M…
Momento Mori Mosaic in the Naples Archaeological M…
Momento Mori Mosaic in the Naples Archaeological M…
Plastered Skull from Jericho in the British Museum…
Skull by Andy Warhol in the Metropolitan Museum of…
| 21 Sep 2008 |
|
Andy Warhol. American, 1928-1987.
Skull
1977
Acrylic and silkscreen on canvas
Accession # 1981.536.2
Text from the Metropolitan Museum of Art label.
Detail of From the Faraway, Nearby by Georgia O'Ke…
| 08 Feb 2012 |
|
From the Faraway, Nearby
Georgia O'Keeffe (American, Sun Prairie, Wisconsin 1887–1986 Santa Fe, New Mexico)
Date: 1937
Medium: Oil on canvas
Dimensions: 36 x 40 1/8 in. (91.4 x 101.9 cm)
Classification: Paintings
Credit Line: Alfred Stieglitz Collection, 1959
Accession Number: 59.204.2
Description:
In 1935 O'Keeffe began to experiment with compositions that combined bones and landscapes, without regard to relative size, scale, or perspective. Despite her realistic painting technique, there is no verisimilitude to this scene. The poetic title—conveying longing and loneliness—suggests that the odd juxtaposition of words and images depicts an emotional state of mind as well as a physical location.
Text from: www.metmuseum.org/Collections/search-the-collections/2100...
From the Faraway, Nearby by Georgia O'Keeffe in th…
| 08 Feb 2012 |
|
From the Faraway, Nearby
Georgia O'Keeffe (American, Sun Prairie, Wisconsin 1887–1986 Santa Fe, New Mexico)
Date: 1937
Medium: Oil on canvas
Dimensions: 36 x 40 1/8 in. (91.4 x 101.9 cm)
Classification: Paintings
Credit Line: Alfred Stieglitz Collection, 1959
Accession Number: 59.204.2
Description:
In 1935 O'Keeffe began to experiment with compositions that combined bones and landscapes, without regard to relative size, scale, or perspective. Despite her realistic painting technique, there is no verisimilitude to this scene. The poetic title—conveying longing and loneliness—suggests that the odd juxtaposition of words and images depicts an emotional state of mind as well as a physical location.
Text from: www.metmuseum.org/Collections/search-the-collections/2100...
Cow's Skull Red White and Blue by Georgia O'Keeffe…
| 04 Oct 2008 |
|
Cow's Skull: Red, White, and Blue, 1931
Georgia O'Keeffe (American, 1887–1986)
Oil on canvas; 39 7/8 x 35 7/8 in. (101.3 x 91.1 cm)
Alfred Stieglitz Collection, 1952 (52.203)
Cow's Skull: Red, White, and Blue prominently displays the three colors of the American flag. Painted at a time when American artists, musicians, and writers were interested in identifying a uniquely American style and subject matter for their work, O'Keeffe offered a dissenting opinion about what images could best symbolize America. Rather than paying homage to the lush agricultural landscape as the Regionalist painters did, or uncovering urban problems like the American Scene painters, she used a weathered cow's skull to represent the enduring spirit of America. Although she made it as a joke on the concept of the "Great American Painting," the picture is a quintessential icon of the American West.
Text from: www.metmuseum.org/toah/hd/geok/ho_52.203.htm
Still Life with Skull and Writing Quill by Claesz…
| 02 Jul 2011 |
|
Still Life with a Skull and a Writing Quill, 1628
Pieter Claesz (Dutch, 1596/97–1660)
Oil on wood
9 1/2 x 14 1/8 in. (24.1 x 35.9 cm)
Rogers Fund, 1949 (49.107)
This is one of the earliest dated still lifes by Claesz., a Haarlem painter who gave extraordinary presence to familiar things. Here a skull, an overturned glass roemer with its fleeting reflections, an expired lamp, and the attributes of a writer suggest that worldly efforts are ultimately in vain.
Text from: www.metmuseum.org/toah/works-of-art/49.107
Detail of Still Life with Three Skulls by Max Beck…
| 14 Apr 2011 |
|
Life with Three Skulls
1945
Max Beckmann, German, 1884–1950
Dimensions: 55.2 x 89.5 cm (21 3/4 x 35 1/4 in.)
Material: Oil on canvas
Classification: Paintings
Type: Still Life - Vanitas
Accession Number: 67.984
Beckmann fled Germany in 1937, taking refuge in Amsterdam, where he painted this still life during the final months of World War II. He combines a modern style of flattened space, schematic forms, and intense colors with traditional still-life objects-skulls, an extinguished candle, playing cards-that suggest the frailty and transience of human life. The artist described these years as "a truly grotesque time, full to the brim with work, Nazi persecutions, bombs, hunger." In the choice of objects, the predominance of black, and the thick, rough paint, this still life captures the grim mood underlying such words.
Text from: www.mfa.org/collections/object/still-life-with-three-skul...
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