Jonathan Cohen's photos with the keyword: Center City Philadelphia

The Market Street National Bank was built in 1929. The building is now occupied by a Marriott Residence Inn.

The Wanamaker Organ was originally built for the 1904 St. Louis World's Fair. It was designed to be the largest organ in the world, an imitation of a full-size orchestra with particularly complete resources of full organ tone including mixtures. Despite its then-unprecedented size (more than 10,000 pipes), it was judged inadequate to fill the seven-story Grand Court in which it was located, so Wanamaker's opened a private organ factory in the store attic, which was charged with enlarging the organ. The first project to enlarge the organ was the addition of 8,000 pipes between 1911 and 1917. "Meet me in St. Louis, Louis, Meet me at the Fair Don't tell me the lights are shining Anyplace but there We will dance the 'Hoochie-Koochie' I will be your 'Tootsie-Wootsie' If you will meet me in St. Louis, Louis, Meet me at the Fair." - Andrew B. Sterling

SONY DSC

A mini park on the corner of Filbert and South 12th Streets that features three dimensional shapes covered with mosaics.In particular, there is a baseball-shaped object about 6 feet in diameter – a segment of which is shown above – and a huge, gold upturned cone.

SONY DSC

SONY DSC

A mini park on the corner of Filbert and South 12th Streets that features three dimensional shapes covered with mosaics.In particular, there is a baseball-shaped object about 6 feet in diameter and a huge, gold upturned cone.

This mural -- entitled "When Girls Grow Strong" -- commemorates the 95th Anniversary of Girl Scouts, founded by Juliette Gordon Low in 1912. The design is a combination of ideas from many troops that participated in submitting their concepts for the design. The mural design depicts the stages of a Girl Scout. Past and present images of Girl Scouts were used in the design. A total of 450 girl scouts participated in the painting of the mural under the direction of the artist: Michelle Angela Ortiz.. The mural was sponsored by the Mural Arts Program and is proudly displayed above a parking lot on the wall of the Creative Book Manufacturing Co. building.

SONY DSC

Like the Organ, the Eagle, also came from the St. Louis World's Fair, where it was part of the German Exhibit of Arts and Crafts. All of the heavy plates that form the inner structure, as well as the feathers and other surface features, were separately wrought by hand with chisel, file and hammer. Each individual feather on the head and body was carefully modeled and fitted into place. There are 1,600 feathers on the head alone, and 5,000 on the entire Eagle. The sculpture weighs 2,500 pounds and sits on a granite base. The floor of the Grand Court had to be strengthened with girders to accommodate it. There is an old Philadelphia custom to rendezvous in Center City by saying "Meet me at the Eagle."

SONY DSC

SONY DSC

SONY DSC

The newest national historic district in Philadelphia is not what you might expect. It isn’t a mall of Revolutionary landmarks, a neighborhood of Colonial homes, or a row of 19th-century brownstones. It is instead a collection of industrial buildings spanning more than a century of commercial construction in a gritty, often forgotten slice of the city. In late June, 2010, the National Park Service approved the listing of the Callowhill Industrial Historic District on the National Register of Historic Places. The nomination of the Callowhill district was sparked by the owners of the Heid Building, 323-329 North 13th Street, who were pursuing historic tax credits to transform the 1928 concrete and steel structure, where accordion envelopes were once the major product, into a residential and commercial building. In the foreground of this picture is the Roman Catholic High School’s annex, which was designed as the City Morgue by Philip Johnson in the 1920s in the Mission Revival style.

Maxine Dalsemer works in the Visitor Center of Macy’s and gives an informative tour of the Wanamaker Building. During the tour she talks extensively about the history of the Wanamaker building, its architecture, and the business conducted within. She states that the building is made up of cement and steel with a façade of granite from Maine and an interior of the finest marble. "Wanamaker," she says, "didn’t think of the space in terms of dollars per square foot as most retailers do but was more concerned with the grandeur and beauty of the space." She points out that the columns on the second floor lining the Grand Court are Corinthian, the ones on the third floor are Ionic, and the columns on all the floors supporting the ceilings are Doric. She brings the tour to a vestibule to show the very intricate mosaics made of Terrazzo Marble tiles that are placed painstakingly to create the Wanamaker’s logo Ms Dalsemer claims that at one point there were a tennis court and a jogging track on the roof for the benefit of the store’s employees, but that they regrettably have been replaced with air conditioning units. As she walks through the store she reveals that most of the walls that the shoppers see are false walls used to camouflage stock rooms. She leads the tour past what used to be the Egyptian room on the 3rd floor but remorsefully declares that it has been converted to the executive offices. She explains that it once was a sales floor/auditorium that sold and auctioned off pianos. For special occasions the pianos were disassembled and stored to make room for the seating of 700 or more people. The tour is then brought to the Greek Hall also on the 3rd floor. This dark wood-paneled room with Tiffany Stained Glass Windows has intricately carved wood ceilings featuring Hellenistic patterns, molding featuring large plaster cameos of Roman generals, and elaborate inlayed wood designs on the walls.

SONY DSC

SONY DSC