Jonathan Cohen's photos with the keyword: installation art

Red Grooms’ dazzling installation was originally created in 1979 as a working gift shop for the Hudson River Museum. After extensive restoration in 2007 by Tom Burckhardt, this beloved Westchester landmark has been reinstalled in its own gallery. The Bookstore incorporates many of the themes that run through Grooms’ best work: the marriage of art and commerce, the clash of high and low, colorful New York characters, and an inviting three-dimensional space that envelops and transports the viewer. The Bookstore deftly joins into a work of art two of the favorite haunts of New York City book lover – the Isaac Mendoza [second-hand] Book Company, long a fixture of lower Manhattan’s Ann Street and which closed its doors in February, 1990 – and the Pierpont Morgan Library. In terms of materials, The Bookstore was one of a limited number of pieces in which Grooms incorporated vinyl figures. The figures are painted from the inside, a technique inspired by medieval glass-painting techniques, and then are stuffed and sewn. Tens of thousands of visitors passed through The Bookstore, and, embraced by its environment, it inevitably began to suffer ravages caused by its popularity. Accordingly, plans were developed to restore the work and Grooms enthusiastically approved the conservation efforts and changes, which include altering the position of the two entrances to fit the new gallery space, the creation of a central island that incorporated the original vinyl patrons, and the design of a painted floor. Grooms remains cautious of making too many changes to a piece that reflects a vision of New York in the 1970s, already passing into history. "An artist can overwork a thing – you can ruin the delicacy of a past moment very easily …I think it’s better to keep it like it was – primitive in that way."

Red Grooms’ dazzling installation was originally created in 1979 as a working gift shop for the Hudson River Museum. After extensive restoration in 2007 by Tom Burckhardt, this beloved Westchester landmark has been reinstalled in its own gallery. The Bookstore incorporates many of the themes that run through Grooms’ best work: the marriage of art and commerce, the clash of high and low, colorful New York characters, and an inviting three-dimensional space that envelops and transports the viewer. The Bookstore deftly joins into a work of art two of the favorite haunts of New York City book lover – the Isaac Mendoza [second-hand] Book Company, long a fixture of lower Manhattan’s Ann Street and which closed its doors in February, 1990 – and the Pierpont Morgan Library. In terms of materials, The Bookstore was one of a limited number of pieces in which Grooms incorporated vinyl figures. The figures are painted from the inside, a technique inspired by medieval glass-painting techniques, and then are stuffed and sewn. Tens of thousands of visitors passed through The Bookstore, and, embraced by its environment, it inevitably began to suffer ravages caused by its popularity. Accordingly, plans were developed to restore the work and Grooms enthusiastically approved the conservation efforts and changes, which include altering the position of the two entrances to fit the new gallery space, the creation of a central island that incorporated the original vinyl patrons, and the design of a painted floor. Grooms remains cautious of making too many changes to a piece that reflects a vision of New York in the 1970s, already passing into history. "An artist can overwork a thing – you can ruin the delicacy of a past moment very easily …I think it’s better to keep it like it was – primitive in that way."

Red Grooms’ dazzling installation was originally created in 1979 as a working gift shop for the Hudson River Museum. After extensive restoration in 2007 by Tom Burckhardt, this beloved Westchester landmark has been reinstalled in its own gallery. The Bookstore incorporates many of the themes that run through Grooms’ best work: the marriage of art and commerce, the clash of high and low, colorful New York characters, and an inviting three-dimensional space that envelops and transports the viewer. The Bookstore deftly joins into a work of art two of the favorite haunts of New York City book lover – the Isaac Mendoza [second-hand] Book Company, long a fixture of lower Manhattan’s Ann Street and which closed its doors in February, 1990 – and the Pierpont Morgan Library. In terms of materials, The Bookstore was one of a limited number of pieces in which Grooms incorporated vinyl figures. The figures are painted from the inside, a technique inspired by medieval glass-painting techniques, and then are stuffed and sewn. Tens of thousands of visitors passed through The Bookstore, and, embraced by its environment, it inevitably began to suffer ravages caused by its popularity. Accordingly, plans were developed to restore the work and Grooms enthusiastically approved the conservation efforts and changes, which include altering the position of the two entrances to fit the new gallery space, the creation of a central island that incorporated the original vinyl patrons, and the design of a painted floor. Grooms remains cautious of making too many changes to a piece that reflects a vision of New York in the 1970s, already passing into history. "An artist can overwork a thing – you can ruin the delicacy of a past moment very easily …I think it’s better to keep it like it was – primitive in that way."

Dee Brigg’s alarmingly red downpipe structures are a dead giveaway that there is something peculiar about this house. A closer look tells you they are actually periscopes. "Art You Can Get Into…if you have $12" offers a unique perspective. Literally. Red ductwork snakes around the building’s façade, opening small, voyeuristic windows into the gallery space to any passerby. The view itself tends to be less than overwhelming, pointed at small portions of blank white walls.