John Sheldon's photos with the keyword: ETRS

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

Music player from the 1980s. Objective - to see how well dark tones can be reproduced from a scanned HP5+ negative. Negative exposed following an incident light meter reading. Developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner, processed using SilkyPix software.

Probably the smallest depth of field possible with this equipment: Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens and 14mm extension tube; F2.8 aperture (lens fully open) and minimum focusing distance lens to subject. Ilford HP5+ film developed commercially in Kodak XTOL. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

Decision to focus on the second row of bottles and the bottles pyramid questionable? Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

A curious effect: the front bottles have a three-dimensional look but the back ones look flat, almost like a picture. There is flat light at the back, obviously, but perhaps the small depth of field on the 150mm lens also contributed. (150mm on 6x4.5 = 100mm on 35mm film or full frame digital.) Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon EII 75mm f2.8 lens. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens. Epson Perfection V750 PRO scanner.

Ilford HP5+ film developed commercially in Kodak XTOL. Zenza Bronica ETRS camera with Zenzanon MC 150mm f3.5 lens. Epson Perfection V750 PRO scanner.

In the National Trust woodlands at Styal, Cheshire, England. Ilford HP5+ film developed commercially in Kodak XTOL. Epson Perfection V750 PRO scanner. Zenza Bronica ETRS camera with Zenzanon EII 75mm lens.

Two 120 size negatives merged using Adobe Lightroom and Elements. Zenza Bronica ETRS, 75mm f2.8 Zenzanon lens, (14mm extension tube for the label picture). Kodak Portra 160 film. Epson V750 flatbed scanner.

Daylight film exposed under 3000k tungsten light. Colour adjusted using Affinity Photo software. Zenza Bronica ETRS, 75mm f2.8 Zenzanon lens. Kodak Portra 160 film. Epson V750 flatbed scanner.

First test film in 'new' Bronica ETRS film camera. Unadjusted auto exposure from AE prism finder II. Ilford FP4+ film commercially developed in Kodak X-Tol and scanned by me using a CanoScan 8800F.

First test film in 'new' Bronica ETRS film camera. Unadjusted auto exposure from AE prism finder II. Ilford FP4+ film commercially developed in Kodak X-Tol and scanned by me using a CanoScan 8800F.

First test film in 'new' Bronica ETRS film camera. Incident light reading from Gossen Sixtomat light meter. Ilford FP4+ film commercially developed in Kodak X-Tol and scanned by me using a CanoScan 8800F.