HaarFager's photos with the keyword: Kodak Tri-X Film

This is a man I knew in my hometown who was blind. Thurmon lost his sight from a childhood accident involving the making of lye soap. Camera: Konica Autoreflex TC Lens: Hexanon AR 50mm f/1.7 Film: Kodak Tri-X 400 B&W 35mm Date: circa July 1978 Location: Norris City, Illinois, U.S.A. Konica Tri-X Austins 1978 07hf

A semi accident I covered for the local newspaper back in 1981. Camera: Minolta XD11 Lens: Minolta MD Rokkor-X 50mm, f/1.2 Film: Kodak Tri-X, 400 ASA 35mm film Date: 1981 Location: Norris City, Illinois, U.S.A. Semi Wreck 1981 8ef

This is the back of my old high school, taken with my Flocon RF 222 Diana-clone 120 camera. This camera is almost perfect - the viewfinder is exactly what you see and no light leaks showing! At least not in this shot. I got a light leak at the very top center of a few others that was likely due to it coming in from the tab on the bottom of the camera you twist to take off the back to load the film. Camera: Flocon RF 222 (Diana clone) Film: Kodak Tri-X 400 ISO black and white 120 film Aperture: F/19 Focus distance: 12 ft. to infinity Shutter speed: Approximately 1/50th sec. Date: November 3rd, 2010, 4.02 p.m. Location: Norris City, Illinois, U.S.A. Developing process, chemicals were at 68 degrees: Kodak D-76 developer: 7 mins. Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Flocon 16ef

Aberations in the cheap, plastic lens of a Diana-clone camera. Taken with my Flocon RF 222 Diana-clone 120 camera. This camera is almost perfect - the viewfinder is exactly what you see. Camera: Flocon RF 222 (Diana clone) Film: Kodak Tri-X 400 ISO black and white 120 film Aperture: F/19 Focus distance: 12 ft. to infinity Shutter speed: Approximately 1/50th sec. Date: November 3rd, 2010, 3.47 p.m. Location: Norris City, Illinois, U.S.A. Developing process, chemicals were at 68 degrees: Kodak D-76 developer: 7 mins. Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Flocon 12df

This is the intersection of Route 1 and Route 45 near my town and is touted as the only intersection in the world that doesn't actually intersect. What you see is Route 45 coming at the camera from straight ahead and it turns left (when viewed from this angle, it actually turns right in real life), and heads off in that direction. Route 1 is coming from the right side of the picture and turns left and heads off in the direction behind where I was standing with the camera. Camera: Minolta SRT-101 Lens: Minolta MC Rokkor-PF 55mm, f/1.7 Film: Kodak Tri-X 400 ISO black and white 35mm film Exposure length: 20 secs. Date: October 15th, 2010, 22:59 p.m. Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. SRT 01df

This was the first picture taken with my Minolta SRT-101 35mm camera. It was a little rough before, but now it operates silky smooth. Thanks, mountain dawg! I couldn't wait until daylight to try it out, so this is a night shot taken at a local intersection just outside my town. It is the intersection of Route 1 and Route 45 and is touted as the only intersection in the world that doesn't actually intersect. What you see is Route 45 coming at the camera from straight ahead and it turns left (when viewed from this angle, it actually turns right in real life), and heads off in that direction. Route 1 is coming from the right side of the picture and turns left and heads off in the direction behind where I was standing with the camera. I don't know if there's any way of proving it's the only one in the world that doesn't intersect, but that's what they claim. If it doesn't intersect, it would seem to me that maybe calling it an "intersection" could be a slight misnomer. Oh, well. Camera: Minolta SRT-101 Lens: Minolta MC Rokkor-PF 55mm, f/1.7 Filter: Vivitar Skylight 1A Film: Kodak Tri-X 400 ISO black and white 35mm film Aperture: F/16 Exposure length: 20 secs. Date: October 15th, 2010, 10:59 p.m. Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. SRT 01df

There was a heavy fog that covered my landscape early this morning, so I couldn't resist the urge to go out and shoot something in it. Here's a headstone I've shot before (seems I've shot everything in my area before - this is getting old!) sitting next to the reservoir as the fog moved in. A little history of the man that is buried here. Thomas Langford was born on February 24th, 1814, and died at age 40 on March 28th, 1854. It is interesting to note that, while at the age of 18, he fought in the Black Hawk War of 1832, which was fought in Illinois and parts of Wisconsin. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: November 17th, 2010, 7:43 a.m. Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 72 degrees): D-76: 6 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 7 mins. Rinse: 1 min. Kodak Photo-Flo 200: 1 min. Rollei 16 06df

The local Masonic Lodge, photographed on Election Day, 2010. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: November 2nd, 2010, 3:23 p.m. Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Rollei 16 05df

An old building named "Coggan" found in Clay City, Illinois. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: October 30th, 2010, 5:48 p.m. Location: Clay City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Rollei 16 04-2cf

This is the windmill that Peggy, my late neighbor, enjoyed so well. I also liked it a lot and have featured it in my photostream several times. This shot was taken on a blustery day as it was busily spinning away. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: October 29th, 2010 Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Rollei 16 03-2cf

The Graingers superstore/warehouse located in the next state to mine. They have just about everything you need. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: October 21st, 2010, 12:13 p.m. Location: Evansville, Indiana, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Rollei 16 02cf

This is the first time I've gotten to use my subminiature Rollei 16 16mm camera. I cut down some Kodak Tri-X to fit in the camera, and although I didn't have it cut precisely or aligned correctly, I did get a very usable image to see how it performs. I suppose that when they said technology had left it behind and there are much better cameras and film formats available, they were right. James Bond might find it usable in his line of work, though. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: October 19th, 2010, 3:12 p.m. Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 10 secs. Kodak Photo-Flo 200: 1 min. Rollei 16 01bf

The Presbyterian church here in my hometown. Camera: Rollei 16 16mm subminiature camera (Produced 1963-1967) Lens: Carl Zeiss Tessar 25mm, f/2.8 Film: Kodak Tri-X 400 ISO black and white 35mm film (Cut down to 16mm) Aperture: F/22 Exposure length: Approx. 1/30th sec. Date: November 19th, 2010, 9:00 a.m. Location: Norris City, Illinois, U.S.A. Developing specifics (chemicals at 68 degrees): D-76: 7 mins. (1:1) Ilford Ilfostop stop bath: 1 min. Kodak fixer: 8 mins. Rinse: 5 mins. Kodak Photo-Flo 200: 1 min. Rollei 16 07cf