Götz Kluge's photos with the keyword: The Bellman

To me, the Bellman 's arm (upper left corner in the right image) always looked strangely rounded. But obviously there are arms like that. It took me a long time (until today) to get the idea that also these two images could be related although I know Duchenne's photo (shown here in mirror view) since a couple of years. www.evolutionnews.org/2012/05/creepy_ghoulish059671.html "Creepy," "ghoulish," "not the best science" -- these are a few indisputable descriptions applied (by Wired magazine ) to an experiment Charles Darwin conducted in 1868. He was getting ready to write his book The Expression of the Emotions in Man and Animals and set out to sample reactions from all of 24 human subjects as they responded to and characterized a series of creepy, ghoulish photographs by French physiologist Benjamin Duchenne. Charles Darwin didn't conduct these weird experiments. Duchenne did. On the right side you see a detail from Henry Holiday's illustration to the chapter The Banker's Fate in Lewis Carroll's The Hunting of the Snark (1876). The only known letter exchange between C. L. Dodgson (aka Lewis Carroll) and Charles Darwin was about photos of facial expressions, which Dodgson offered to Darwin (who kindly rejected the offer).

In an early draft to the image The Crew on Deck , the Bellman had a different face than the one which the Bellman had in the final illustration. Henry Holiday moved that round faced character to the illustration The Barrister's Dream and then turned the Bellman into a Darwin look-alike.

1876 and around 1870. If it was for this pairing only, I would not use this side-by-side image as an example for allusions to Charles Darwin (19th century portrait) in Lewis Carroll's and Henry Holiday's The Hunting of the Snark . Also, too obvious allusions to Darwin would have narrowed the interpretation space which Carroll wanted to leave to his readers. However, there is more . Darwin portrait found in What Mr Darwin Saw in His Voyage Round the World in the Ship ‘Beagle’ , 1879. »Extracts paraphrased by W.P. Garrison from Darwin’s Beagle diaries. Son of a US abolitionist, W.P. Garrison published this work anonymously. His stated aim was to 'interest children in the study of natural history, and physical and political geography'. Garrison selected extracts from Darwin's original diaries, reorganising material thematically into four parts: 'Animals', 'Man' (strange peoples and customs, particularly of savage and barbarous life), 'Geography' (physical features of the countries visited by Mr Darwin) and 'Nature' (account of the grandeur of terrestrial processes).« Source: University of Cambridge > Department of History and Philosophy of Science > Whipple Library > Rare book collections > Online exhibitions

[left]: Henry Holiday's back cover illustration (1876) to Lewis Carroll's The Hunting of the Snark . [right]: Allegorical English School painting (ca. 1610, redrawn, color desaturated and rearranged 2013) of Queen Elizabeth I at Old Age with allegory of Death and Father Time . (Location of original painting: Corsham Court, EAN-Number: 4050356835081) www.corsham-court.co.uk/Pictures/Commentary.html : "This portrait of Elizabeth I illustrates the difficulties she encountered during her troubled reign. For example, conflict between Protestants and Catholics was rife and the re-drafting of the Book of Common Prayer (held in her left hand) was a sensitive issue of the time." Changes of lower segment: Shifted mirror view [inset]: The Bellman , detail from Henry Holiday's front cover illustration (1876) to Lewis Carroll's The Hunting of the Snark .