Götz Kluge's photos with the keyword: Henry George Liddell

upper inset: Henry Holiday's depiction of the Billiard marker in Lewis Carroll's The Hunting of the Snark (1876). background: Henry George Liddell (painted by Sir Hubert von Herkomer in 1891) . Liddell was Carroll's (Dodgson's) superior in Christ Church, Oxford. As for the time line, of course Holiday could not have alluded to this painting. lower inset: The comparison shows Henry Holiday's first depiction (draft) of the Billiard marker in Lewis Carroll's The Hunting of the Snark . The face on the right side is Henry George Liddell's face at a youger age. The image (right side; from a portrait by George Cruikshan) shows Liddell at age 28. Such a clear resemblance of Holiday's draft of the Billiard marker to Carroll's boss perhaps was a bit too risky for Carroll. The similarity wasn't sufficiently deniable. In the final illustration the resemblance is much weaker, but the asymmetry of the eyes and eyebrows still is there.

Detail from an illustration by Henry Holiday to Lewis Carroll's The Hunting of the Snark (1876) Henry Holiday chopped off the chin.

This was my first image showing Henry Holiday's depiction of the Billiard marker in Lewis Carroll's The Hunting of the Snark (1876). The face in color and in the background is Henry George Liddell 's face (painted by Sir Hubert von Herkomer in 1891). Liddell was Carroll's (Dodgson's) superior in Christ Church, Oxford. In this image, I had been fooling around a bit: I gave Liddell the Billiard marker's wig. And I gave Liddel's chin back to the Billiard marker. I am not hiding anything: The red dots indicate my manipulations, and in the lower part of the image you can see the unmanipulated elements. Later I discovered, that the comparison between Liddell at age 28 and a draft by Holiday's of the Billiard marker yielded a much stronger resemblance: Perhaps Carroll/Dodgson did not accept such an obvious resemblance. So Holiday finally showed an older Billiard marker with a wig (which slipped a bit out of position) . Holiday also chopped off the Billard marker's chin, but left its shadow in his illustration. That is no mistake. Thus, the real Liddell would not really be able to find himself depicted as the Billiard marker playing foul in the Snark . However, the shadow just could be a bow tie. Who knows?

The comparison shows (left side) a reproduction of Henry Holiday's draft of the Billiard marker for an illustration to Lewis Carroll's The Hunting of the Snark (1876) and a redrawn detail (right side) from a portrait by George Cruikshan of Henry George Liddell's face. Liddell was Carroll's (Dodgson's) superior in Christ Church, Oxford. The portrait by George Cruikshan shows Liddell at age 28. The resemblance of Holiday's draft of the Billiard marker to Carroll's boss perhaps was a bit too risky for Carroll. The similarity wasn't sufficiently deniable. In the final illustration Holiday was more cautious: He gave an older Liddell a wig (which slipped a bit out of position) and chopped of his chin.

[right]: Henry Holiday's depiction of the Billiard marker in Lewis Carroll's The Hunting of the Snark . The face in color is Henry George Liddell's face (by Hubert von Herkomer) . Liddell was Carroll's (Dodgson's) superior in Christ Church, Oxford. (In the image I wrote "George Henry Liddell". But I am to lazy to correct that mistake now.) [left]: The left image shows Holiday's draft for the right picture and an image depicting Liddell at age 28. That clear resemblance in Holiday's draft of the Billiard marker to Carroll's boss perhaps was a bit too much for Carroll. In the right picture the resemblance is weaker, but the asymmetry of the eyes and eyebrows still is there. In that final illustration Holiday was more cautious: He gave an older Liddell a wig (which slipped a bit out of position) and chopped of his chin.