Scott Holcomb's photos with the keyword: Zenza Bronica 67mm SL39•3C(UV) filter

A sweeping view of a magical place, Napa Valley. This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

What can be better than a stroll along a sunny beach? This photo was taken by a Mamiya 645 Pro TL medium format camera with a Mamiya-Sekor C 45mm 1:2.8 N lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.

When you just have to get off your feet! This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

This solitary tree has set down it’s roots on some prime real estate with a view. This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Who would dare to advance upon such a well-fortified realm?! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens with a Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 (220) film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A shaded courtyard sets the mood when entering this domaine. This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

Plague, War and Climate Change are descending upon us. The Apocalypse approaches. I am not certain that faith alone can guarantee the safety of my family and community, Therefore, I am hedging my bets by locating a safe shelter for when the skies darken and the fiery depths of inferno engulf the Earth. So as to reduce the pain of such trauma, this refuge is supplied with all the comforts needed to survive, including ample supplies of premium vintage wine. This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

Please be seated . . . This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

Old Truck Old Camera Old Photographer This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

The shortest distance to Jade Island is not a straight line. This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

With all of the luxurious comfort afforded by it’s solid brick construction, this bench offers a shaded refuge to weary strollers. This photo was taken by a Kowa Super 66 medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji Pro 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

Proceed through the archway into the Fantesca realm of vineyards. This photo was taken by a Kowa Super 66 medium format film camera and a KOWA 1:3.5/55mm lens and a Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The power of this military aircraft made my head spin. Fortunately, there was a small bench near the information placards where I could sit and contemplate what I was seeing. This photo was taken by a Hasselblad 500C medium format film camera and Carl Zeiss Distagon 1:4 f=50mm T* lens with a Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

If the shore is public, what is the fence for? This photo was taken by a Zenza Bronica S2 medium format film camera with a ZENZANON 1:2.8 f=100mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Celebrating the annual Herring run. This photo was taken by a Zenza Bronica S2 medium format film camera with a Nikkor-P 1:2.8 f=7.5 cm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The events that have taken place during the past several years have been as abrupt as this sheer drop! This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

No longer can the strata hide below a mantle soil and trees. Any secrets that it holds have been laid bare by the forces of erosion. This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Vibrant colors revealed by erosion light up the collapsing slopes in a most spectacular display. This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Zenza Bronica 67mm SL39•3C(UV) filter using Fuji 160NS [220] film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.