Scott Holcomb's photos with the keyword: Zenza Bronica 82mm L 1A filter

Engineer Mountain (a.k.a. Ice Cream Cone Mt. by many children) is a beautiful landmark when driving up to the summit of Coal Bank Pass on U.S. Highway 550 north of Durango, Colorado. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75 lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Time is on the side of the elements that are eroding this mountain. Even solid rock can not endure forever. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L 1A filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Part of the High Country Gallery in the Land of Zion. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop

The high country viewed from Molas Pass (10,910 ft/ 3,325 m) of the San Juan Mountains in southwestern Colorado. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75 lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Visitors from lower altitudes flock here during that brief Autumn period when the aspen forests transform the landscape into vivid hues of yellows and oranges. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

From a distance, Perins Peak is visible through the woodlands of Overend Mountain Park at the edge of the small town of Durango. This forested area was my playground as a small child during the late 1950s where I developed a life-long love for unspoiled nature. In my child's mind I thought that the peak was called "Parents Peak", and that it was a place for grownups to get away from their nagging children. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75 lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

As a child I traveled this road with my parents long ago. From our car my sister exclaimed, "Look!! It's Ice Cream Cone Mountain". Although maps identify the mountain by a different name, it will always be Ice Cream Cone Mountain to me. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75 lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Nature's artistry is surreal. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Mult-Coated Takumar/6X7 1:4.5/75 lens with a Zenza Bronica 82mm L 1A filter using CineStill 800T film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Afternoon shadows envelop the aspens in their glorious Autumn colors. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L 1A filter using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The name Joshua is quite popular among the locals living here. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with an Zenza Bronica 82mm L 1A filter using Fuji 160NS film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.