Scott Holcomb's photos with the keyword: GGNRA

Bridges can traverse walls. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55mm lens and Kowa L39 3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Fort Point guarded the entry to San Francisco Bay when active. It is now a popular museum run by the National Park System. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SY48•2C (Y2) filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Fort Point was built at the mouth of the Golden Gate Strait in the 1850s to guard the entry to the San Francisco Bay. The fence came later to protect visitors from falling off this multistory fortress. This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens with a Kowa L39 3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Coming down the Upper Sutro Baths Trail, the waves of the Pacific roll onto a beach that is overlooked by Point Lobos. This photo was taken by a Zenza Bronica S2 medium format film camera and ZENZANON 1:2.8 f=100mm lens with a Zenza Bronica 67mm SY48•2C(Y2) filter using Ilford HP5 Plus 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

The Sutro Baths were constructed in 1894. The site had an ocean pool aquarium and a massive public bathhouse that could accommodate 10.000 people at one time. A classic Greek portal opened to a grandiose glass enclosure containing seven swimming pools at various temperatures. There were slides, trapezes, springboards and a high dive. The power of the Pacific Ocean during high tide could fill the 1.7 million gallons of water required for all the pools in just one hour. Over the decades the baths’ popularity declined. The end came in 1966 when a fire destroyed the structure. This photo was taken by a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm Y[K2] filter using Ilford HP5 Plus 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

If you're on the fence, you can't decide something. You're torn between two options. If you're standing at the ice cream counter, not sure if you should get chocolate or vanilla, you're on the fence. Being on the fence means you really just can't decide. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens and Zenza Bronica 67mm SY48•2C (Y2) filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The Marine Layer battles it's way through Golden Gate Strait against the heat of summer. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Takumar/6X7 1:2.4/105 lens and Hoya R-72 filter using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

There must be some kind of way outta here Said the joker to the thief There's too much confusion I can't get no relief www.youtube.com/watch?v=TLV4_xaYynY All Along The Watchtower - The Jimi Hendrix Experience © Bob Dylan Music Co. This photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Film cameras and old cannons have a lot in common. Great care was/is needed to aim and focus/calculate range before firing. Nowadays, anyone can simple press a button and the result is automatic . . . By the way, if any viewers are named, Will, I was not aiming at you . . . This improvised tripod assisted photo was taken by a Kowa/SIX medium format film camera with a KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Open the door. Turn the knob clockwise to go into the future. Turn the knob counter-clockwise to go into the past. Or . . . turn around and walk away to stay in the present. This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55 lens using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Iconic balance . . . This photo was taken by a Kowa/SIX medium format film camera and KOWA 1:3.5/55mm lens with a Kowa L39 3C(UV) ø67 filter using Kodak Portra 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A friend at the local photo lab that I frequent asked me if I had done any shooting on my days off. "Why yes", I responded . . . This photo was 'shot' by a Kowa/SIX medium format film camera and a KOWA 1:3.5/55mm lens using Kodak Portra 800 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Ahhh . . . Summertime in San Francisco . . . This photo was taken by a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm Y[K2] filter using Rollei RPX 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

Thinking 'outside the fence' This photo was taken with a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm O[G] filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.

Straight through the Strait. This image was taken from a Zenza Bronica S2 medium format film camera with a Zenzanon 1:3.5 f=150mm lens and Kowa Y2 ø67 filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

On a clear day like this, Shoot Straight! This photo was taken with a Zenza Bronica S2 medium format camera with a Zenzanon 1:3.5 f=150mm lens using Kodak Portra 400 film,the negative scanned by an Epson Perfection V600 and digitalized with Photoshop.

Stuck in a labyrinth. This photo was taken with a Zenza Bronica S2 medium format film camera and Nikkor-H 1:3.5 f=5 cm lens with a Hoya HMC 82mm O[G] filter using Kodak T-MAX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered using Photoshop.