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#22- Dyptic
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Monte Gordo, HBM
Evoramonte, Alentejo
Estremoz, Alentejo
Estremoz, Alentejo
Estremoz, Alentejo
Estremoz, Alentejo
Estremoz, Alentejo
Estremoz, Alentejo
Estremoz, Alentejo
Monte Gordo, In memoriam HFF
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Evoramonte, Alentejo
Evoramonte, Alentejo
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Evoramonte, Alentejo
Estrelinha e eu, Evoramonte
Glass, White on white
Evoramonte, Alentejo
Evoramonte, Alentejo
#12- A motorcycle
Mummy, what are we plenty of?
Monte Gordo, HBM
#15- Steps, Evoramonte, Alentejo
Evoramonte, Alentejo
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Penedos, White and Blue
For TSC- anything at all to do with circles
Penedos, White and Blue
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1/60 • f/16.0 • 28.0 mm • ISO 50 •
LEICA CAMERA AG LEICA Q2
SUMMILUX 1:1.7/28 ASPH.
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Ναοί-Μοναστήρια-Παρεκκλήσια-Churches-Monasteries-Chapels
Ναοί-Μοναστήρια-Παρεκκλήσια-Churches-Monasteries-Chapels
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Igreja da Misericórdia, Evoramonte, Alentejo
The building, apparently from the 16th century, appears quite simple architecturally, with only a small porch resting on simple classical marble columns. Also simple, but of granite, is the main door, topped by an oval porthole.
In turn, the interior surprises us with the impressive profusion of tile panels, the ones in the nave being attributed, by Túlio Espanca, to Policarpo de Oliveira Bernardes, Lisbon's great master of this art in the 18th century. This set, which is the ex-libris of the church, represents themes from the works of Mercy, the Life of the Virgin Mary, the Marriage of Esther and the Beheading of Holofernes.
In turn, the interior surprises us with the impressive profusion of tile panels, the ones in the nave being attributed, by Túlio Espanca, to Policarpo de Oliveira Bernardes, Lisbon's great master of this art in the 18th century. This set, which is the ex-libris of the church, represents themes from the works of Mercy, the Life of the Virgin Mary, the Marriage of Esther and the Beheading of Holofernes.
kiiti, Erhard Bernstein, LotharW, Annemarie and 28 other people have particularly liked this photo
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