Suzan at the Pagerwesi festival
My home in Sembung on Bali
Welcome back to Bali
I must take care my mother
... and me Wira
Adii and Wira at Green Kubu
I Gusti Agung Ayu Adi Widiadnyani
I Gusti Agung Anom Santosa and Ni Made Mayasari
Mayun celebrating Otonan
Simple but nice stay on Balangan beach
Ritadeliana one more again
Portrait of Ritadeliana
Mayang at the pegawesi ceremony
Agung offering the jerimpen
The mask of Rangda
Koming and Dila
Small boy Aswin wearing Barong mask
Flower girls are being prepared for photography
Suzan sitting in a burd nest
Adii making Canang Sari
Lion outside, but an angel inside
The daily pray inside the private temple
Four beauties in Penglipuran
Statue of goddess Dewi Sri
Two boys in their Balinese dress
Komang in Pura Taman Beji Giriya
Young model for portrait picture
Komang and Komang
Portrait capture from Suzan
Dancing lesson in Pemuteran
Anom in the mask of Celuluk
Outrigger boats at Desa Bunutan
Pura Tanah Lot
Ni Kadet Mayang Sari and her mother Ni Ketut Mukra
Large crowds enter the courtyard
Inside Pura Melanting
Balinese group in Pura Melanting
Painting of the God Ganesha
Outside Yard of Pura Taman Ayun
Thousands on the beach of Sanur
Mepeed parade in Sembung
Preparing the Ogoh-ogoh statue
Ni Kadek Mayang Sari
Gung Biang Ade, Gek Widia and Ni Kadek Mayang
Gamelan orchestra for performance
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Gamelan player at the saron barung
The gamelan music is the typical music on Bali and sounds mostly at the evening on most places in Balinese villages. The gamelan predates the Hindu-Buddhist culture that dominated Indonesia in its earliest records and thus represents an indigenous art form.
The men playing the saron, an instrument played in every gamelan orchestra.
In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death.
The men playing the saron, an instrument played in every gamelan orchestra.
In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death.
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