Stiffleaf's photos

glass by the great leonard walker, 1932

memorial window of c.1930 to members of the vicar's family killed or maimed in the first world war.

c16 tower top

arms at top of tower of james chudleigh, +1457, though these arms and particularly their surround show classical influence impossible before the 1520s or 1530s. the arms of henry 7 [ 1485-1509] are also on the tower.

the tower dates from c.1450-1530 and has beasts on all set-offs of buttresses

the tower dates from c.1450-1500

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

glass by h.g.liddell in the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.

the chapel in the grounds of killerton park is a neo-norman building designed by cockerell in 1841, using the lady chapel from glastonbury abbey as its starting point, as did so many of such churches at that time. the neo-dec capitals apart this is a fair job, though it is obvious that the carving is unfinished. it is a pity that the west door and porch is only blocked out, though going by the rose window any carving of the archivolts would have been done with precision rather than gusto.