Tate Modern 12 4 2018

To see the original image please see www.ipernity.com/doc/philsutters/46641966 As far as I remember this version was created from two layers, with the top one 'skewed. by dragging the top-left corner about two thirds of the way across the top edge. The two layers were then treated to different colour gradients and filters, before being merged.

A cube of mirrors, both on the outside and the inside. There is another one of our experiments here www.ipernity.com/doc/philsutters/46588464/in/album/1058646

One of, if not the, first shots taken with the panoramic setting on my compact camera, spurred on by seeing the panoramic shots my grand-daughter was taking on her fairly basic smart phone.

Every so often an image seems to work better in mono. This one looked a bit bland in colour. The contrasting light and shade are more evident in black & white. It is always worth having a look at an image in more than one way. Changing to mono can be done several ways in Photoshop - using some presets or just using the saturation slider.

Does anyone remember k'nex? It was a construction toy with plastic rods linked by connectors,.like a rather more solid and intricate version of the above. The connectors had a 45 degree option.

For another view of this exhibit please see www.ipernity.com/doc/philsutters/46588476/in/album/1058646

This is the original photo from which this - www.ipernity.com/doc/philsutters/46588480 was developed It's a bit sad that I find photographing the building's structure more interesting than the exhibits.

My twelve-year-old grand-daughter thought that these would be better used in a gents' toilet. How she knows about such things is anyone's guess, as she is quite a well behaved young person.

As I am never likely to exhibit any of my abstract digital doodlings in an art gallery, I thought I would borrow some space and some art lovers from a well-known institution and create my own exhibition. Only the 'sculpture' in the foreground was produced specifically for this image; the rest of the 'artworks, can be found in my abstract and digital album, here in ipernity. The original photo from which this one was developed. www.ipernity.com/doc/philsutters/46588474 This was an experiment in scaling and perspective while adding my images to the Tate Modern gallery.

Taken on my Panasonic compact's panoramic setting. I like the way that this photo falls into distinct sections and looks as if it's been pasted together, but it was all taken in one sweep of the camera. It looks a lot better enlarged, so click on the image - if you want to see it at its best.

A donation collection box at Tate Modern gallery in London.