IMG 6965-001-Escape (My Family History)
IMG 6966-001-Ghost Trap 1
IMG 6967-001-Ghost Trap 2
IMG 6968-001-Ghost Trap 3
IMG 6969-001-Ghost Trap Car
IMG 6970-001-Head
IMG 6971-001-warp- and weft-
IMG 6974-001-Why do they never take colour photos?…
IMG 6975-001-Why do they never take colour photos?…
IMG 6977-001-Stairway 1
IMG 6981-001-Bu Num Civilisation Wheel 1
IMG 6980-001-Stairway 2
IMG 6985-001-195.5Arc x 14 (1)
IMG 6982-001-Bu Num Civilisation Wheel 2
IMG 6988-001-Broken Butterflies
IMG 6992-001-Diamond
IMG 6993-001-Clouds
IMG 6987-001-195.5Arc x 14 (2)
IMG 6999-001-The Return 1
IMG 7002-001-The Return 2
IMG 7006-001-X
IMG 7009-001-Exotic Tree 2
IMG 7007-001-Exotic Tree 1
IMG 7012-001-Picnic Grove 2
IMG 7015-001-Poem in Lights to be Scattered in the…
IMG 7016-001-Fork Chair
IMG 7018-001-London to Paris
IMG 7021-001-Regardless of History
IMG 7023-001-Icarus Palm
IMG 7024-001-Octopus's Garden
IMG 7028-001-Some Slindon Pumpkins
IMG 7029-001-Mr Upton
IMG 7011-001-Picnic Grove 1
IMG 8483-001-Thirty Pieces of Silver 1
IMG 8484-001-Thirty Pieces of Silver 2
IMG 8492-001-Black Path (Bunhill Fields) 3
IMG 8493-001-BlackPathBunhillFields
IMG 8504-001-News Headlines
IMG 8503-001-News at Seven
IMG 8510-001-Procession 4
IMG 8516-001-Procession 7
IMG 8523-001-Procession 11
IMG 8527-001-Procession 13
IMG 8537-001-Women of World War II
IMG 8538-001-Eyes on Whitehall
IMG 8540-001-Antelope 3
IMG 8547-001-Antelope 2
IMG 8545-001-Antelope 1
IMG 8541-001-Antelope
IMG 8534-001-Millicant Garrett Fawcett
IMG 8533-001-Emmeline Pankhurst
IMG 8530-001-Procession 15
IMG 8528-001-Procession 14
IMG 8525-001-Procession 12
IMG 8522-001-Procession 10
IMG 8519-001-Procession 9
IMG 8517-001-Procession 8
IMG 8513-001-Procession 6
IMG 8511-001-Procession 5
IMG 8508-001-Procession 2
IMG 8509-001-Procession 3
IMG 8502-001-News at Eight
IMG 8506-001-Procession 1
IMG 6711-001-Pickled Greens
IMG 6708-001-Oldest House in Bath
IMG 6707-001-Sally Lunn's House
IMG 6702-001-The Bath Bun Tea Shoppe
IMG 6573-001-No1 Royal Crescent
IMG 6525-001-Hands Dairy Ghostsign
IMG 6698-001-Hands Dairy
IMG 6710-001-Tupra Jewellers
IMG 6504-001-House of Tupra Ghostsign
IMG 6695-002-Roman Baths & Abbey
IMG 6693-001-World Heritage Symbol
IMG 6690-001-World Heritage Site
IMG 6688-001-Sacred Spring 5
IMG 6686-001-Sacred Spring 4
IMG 6685-001-Sacred Spring 3
IMG 6684-001-Sacred Spring 2
IMG 6663-001-Sacred Spring 1
IMG 6681-001-Plunge Pool
IMG 6675-001-Water Comes in Here
IMG 6673-001-Lead Pipe
IMG 6667-001-Roman Bloke 2
IMG 6666-001-Roman Bloke 1
IMG 6677-001-Great Bath 4
IMG 6671-001-Great Bath 3
IMG 6669-001-Great Bath 2
IMG 6657-001-Great Bath 1
IMG 6661-001-Terrace Statue 6
IMG 6658-001-Terrace Statue 5
IMG 6650-001-Terrace Statue 4
IMG 6648-001-Terrace Statue 3
IMG 6647-001-Terrace Statue 2
IMG 6643-001-Terrace Statue 1
IMG 6649-001-Lawson & Brydon
IMG 6646-001-Great Bath from Terrace 2
IMG 6640-001-Great Bath from Terrace 1
IMG 6654-001-The Birds
IMG 6639-001-Bath Abbey 8
IMG 6623-001-Hen Party
IMG 6629-001-Pulteney Weir 3
IMG 6628-001-Pulteney Weir 2
IMG 6616-001-Pulteney Weir 1
IMG 6636-001-Pulteney Weir and Sluice
IMG 6637-001-Pulteney Bridge
IMG 6634-001-River Avon
IMG 6614-001-Pulteney Bridge Shops
IMG 6612-001-Donation Dogs
IMG 6610-001-V V Rouleaux
IMG 6611-001-Royal Mineral Water Hospital
IMG 6606-001-Hawker Joinery
IMG 6608-001-George Street
IMG 6599-001-Garden Door
IMG 6604-001-Queen's Parade Place
IMG 6596-001-Georgian Garden
IMG 6585-001-Housekeeper's Room
IMG 6589-001-Kitchen
IMG 6578-001-Withdrawing Room
IMG 6584-001-Looking Out at the Royal Crescent
IMG 6575-001-Escutcheon
IMG 6577-001-Footman
IMG 6592-001-Royal Crescent Streetsign
IMG 6572-001-Royal Crescent 4
IMG 6569-001-Royal Crescent 3
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IMG 6964-001-Identity
Cass Sculpture Foundation, Goodwood, West Sussex.
Standing at over six-metres tall, Identity by Wang Yuyang is a spectacular, monumental work commissioned for exhibition A Beautiful Disorder in 2016. Its colourful and convoluted folds of layered brass, metal, wood and stone appear at once natural and organic, as well as alien – like a fantastical apparition of what plant life might look like on a distant planet. Despite its otherworldly appearance, Identity, as its title suggests, is actually a product of distinctly human ingenuity, technology and culture. Using 3D rendering and modelling software, Wang has converted one of the most iconic and influential texts in modern history – Karl Marx’s Capital: Critique of Political Economy (1867) – into a binary code that entirely determined the material, colour and structure of the sculptural outcome. The work thus not only alludes to the collapsing boundaries between art and technology, but also raises pertinent questions concerning the power of ideology in today’s hyper-networked, globalized world. How do we ‘read’ a work of art? What socio-economic, cultural, political and inter-subjective processes are at stake in the act of artistic appreciation, and how are they converted into a system of values? How have these systems been determined, and what do they stand for?
Standing at over six-metres tall, Identity by Wang Yuyang is a spectacular, monumental work commissioned for exhibition A Beautiful Disorder in 2016. Its colourful and convoluted folds of layered brass, metal, wood and stone appear at once natural and organic, as well as alien – like a fantastical apparition of what plant life might look like on a distant planet. Despite its otherworldly appearance, Identity, as its title suggests, is actually a product of distinctly human ingenuity, technology and culture. Using 3D rendering and modelling software, Wang has converted one of the most iconic and influential texts in modern history – Karl Marx’s Capital: Critique of Political Economy (1867) – into a binary code that entirely determined the material, colour and structure of the sculptural outcome. The work thus not only alludes to the collapsing boundaries between art and technology, but also raises pertinent questions concerning the power of ideology in today’s hyper-networked, globalized world. How do we ‘read’ a work of art? What socio-economic, cultural, political and inter-subjective processes are at stake in the act of artistic appreciation, and how are they converted into a system of values? How have these systems been determined, and what do they stand for?
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