Metropolitan Museum V
Folder: Metropolitan Museum of Art
Metropolitan Museum of Art Set IV includes: Ancient Near East Islamic Art The Metropolitan Museum of Art, often referred to simply as The Met, is one of the world's largest and most important art museums. It is located on the eastern edge of Central Park in Manhattan, New York City, United States. The Met also maintains "The Cloisters", which features medieval art.The Met's permanent collection…
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Gold Ewer Decorated with Concentric Circles in the…
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Ewer Decorated with Concentric Circles
Gold
North-central Anatolia
Early Bronze Age II-III, 2700-2200 BC
Accession # 57.67
The form of this ewer was achieved by hammering. A spout originally projected from the neck. Gold vessels of similiar type were found in the rich burials at Alaca Hoyuk.
Text from the Metropolitan Museum of Art label.
Jar with an Ibex Design in the Metropolitan Museum…
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Title: Jar with ibexes
Period: Early Bronze Age
Date: ca. 2600–2500 B.C.
Geography: Iran, Luristan, Kamterlan I
Medium: Ceramic, paint
Dimensions: 14 in. (35.56 cm)
Classification: Ceramics-Vessel
Credit Line: Rogers Fund, 1943
Accession Number: 43.89.13
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
Detail of a Jar with an Ibex Design in the Metropo…
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Title: Jar with ibexes
Period: Early Bronze Age
Date: ca. 2600–2500 B.C.
Geography: Iran, Luristan, Kamterlan I
Medium: Ceramic, paint
Dimensions: 14 in. (35.56 cm)
Classification: Ceramics-Vessel
Credit Line: Rogers Fund, 1943
Accession Number: 43.89.13
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
Iranian Jar with a Painted Eagle in the Metropolit…
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Jar with painted eagle
Period: Early Bronze Age
Date: ca. 2500–1900 B.C.
Geography: Western Iran
Medium: Ceramic, paint
Dimensions: 12.09 in. (30.71 cm)
Classification: Ceramics-Vessel
Credit Line: Gift of Ernest Erickson Foundation, 1988
Accession Number: 1988.102.26
Text from: www.metmuseum.org/Collections/search-the-collections/3000...
Jars like this were made and traded throughout western Iran during the late third millennium BC in continuation of an earlier ceramic tradition from the Mesopotamian plain.
Text from the Metropolitan Museum of Art label.
Detail of an Iranian Jar with a Painted Eagle in t…
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Jar with painted eagle
Period: Early Bronze Age
Date: ca. 2500–1900 B.C.
Geography: Western Iran
Medium: Ceramic, paint
Dimensions: 12.09 in. (30.71 cm)
Classification: Ceramics-Vessel
Credit Line: Gift of Ernest Erickson Foundation, 1988
Accession Number: 1988.102.26
Text from: www.metmuseum.org/Collections/search-the-collections/3000...
Jars like this were made and traded throughout western Iran during the late third millennium BC in continuation of an earlier ceramic tradition from the Mesopotamian plain.
Text from the Metropolitan Museum of Art label.
Cup with a Frieze of Gazelles in the Metropolitan…
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Cup with a Frieze of Gazelles
Gold
Northwestern Iran, Caspian region
Early 1st millennium BC
Accession # 62.84
The bodies of the gazelles are raised in relief; their heads are hammered from separate pieces of metal and worked onto the necks projecting from the walls of the cup. A vessel decorated in similar fashion with striding lions was found at Kalar Dasht in northern Iran. Other related pieces have come from the site of Marlik in the southwestern Caspian region.
Text from the Metropolitan Museum of Art label.
Disc-Shaped Figure in the Metropolitan Museum of A…
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Title: Disc-shaped figure
Period: Early Bronze III
Date: 2300-2000 BC
Geography: Central Anatolia
Medium: Gypsum alabaster
Dimensions: 4 3/4 x 3 1/2 x 3/4 in. (12 x 9 x 2 cm)
Classification: Stone-Sculpture
Credit Line: Purchase, Leon Levy and Shelby White Gift, 1984
Accession Number: 1984.20
On View
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
Disc figures have been found in cult buildings and graves at Kultepe in central Anatolia, as well as at the nearby sites of Zencidere and Acemhoyuk. Some are caved with "babies" and may have fertility significance.
Text from the Metropolitan Museum of Art label.
Wagon Drawn by Bulls in the Metropolitan Museum of…
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Title: Wagon drawn by bulls
Period: Early Bronze II-III
Date: 2700-2000 BC
Geography: Anatolia
Medium: Copper
Dimensions: 3.31 x 2.99 x 8.86 in. (8.41 x 7.59 x 22.5 cm)
Classification: Metalwork-Sculpture
Credit Line: Edith Perry Chapman Fund, 1966
Accession Number: 66.15
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
Spouted Jar with Geometric Decoration in the Metro…
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Spouted Jar with Geometric Decoration
Ceramic, paint
Western Iran, Luristan
Early 1st millennium BC
Accession # 65.61
Text from the Metropolitan Museum of Art label.
Hittite Vessel in the Metropolitan Museum of Art,…
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Hittite Vessels
Ceramic, paint
Central Anatolia
Old Hittite period, Alishar III type, 1900-1600 BC
Accession #: 67.182.1-.3
Text from the Metropolitan Museum of Art label.
Silver Cup in the Metropolitan Museum of Art, May…
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Title: Cup
Period: Early Bronze Age
Date: ca. mid-3rd millennium B.C.
Geography: Syria
Medium: Silver
Dimensions: H. 2 3/4 in. (7 cm)
Classification: Metalwork-Vessel
Credit Line: Gift of Jacques and Jean-
Luc Chalmin, 1986
Accession Number: 1986.315.2
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
Silver Cup in the Metropolitan Museum of Art, Sept…
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Title: Cup
Period: Early Bronze Age
Date: ca. mid-3rd millennium B.C.
Geography: Syria
Medium: Silver
Dimensions: H. 2 3/4 in. (7 cm)
Classification: Metalwork-Vessel
Credit Line: Gift of Jacques and Jean-
Luc Chalmin, 1986
Accession Number: 1986.315.2
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
Hittite Vessel in the Metropolitan Museum of Art,…
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Hittite Vessels
Ceramic, paint
Central Anatolia
Old Hittite period, Alishar III type, 1900-1600 BC
Accession #: 67.182.1-.3
Text from the Metropolitan Museum of Art label.
Hittite Vessel in the Metropolitan Museum of Art,…
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Hittite Vessels
Ceramic, paint
Central Anatolia
Old Hittite period, Alishar III type, 1900-1600 BC
Accession #: 67.182.1-.3
Text from the Metropolitan Museum of Art label.
Molded Plaque with a Mastiff in the Metropolitan M…
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Molded Plaque with a Mastiff
Ceramic
Southern Mesopotamia
Isin-Larsa -- Old Babylonian Period, 2000-1700 BC
Accession # 32.39.4
Text from the Metropolitan Museum of Art label.
Mastiff in the Metropolitan Museum of Art, August…
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Mastiff
ca. mid-2nd millennium B.C.
Object Details
Period: Kassite
Date: ca. mid-2nd millennium B.C.
Geography: Mesopotamia
Culture: Kassite
Medium: Ceramic, paint
Dimensions: 16.3 x 14.17 in. (41.4 x 35.99 cm)
Classification: Ceramics-Sculpture
Credit Line: Purchase, The Charles Engelhard Foundation Gift, 1989
Accession Number: 1989.233
Dogs were regularly represented in the arts of Mesopotamia from earliest times, and were particularly popular in the later second millennium B.C. in central Babylonia. This clay mastiff is hollow on the inside. It retains traces of polychromy on its body, and remains of inlay in its eyes. The animal’s forehead wrinkles, snout, teeth, and muscular shoulders are carefully depicted. A braided collar circles the dog’s neck, and its tail is shown folded around its right hind leg. There is a hole at the top of its head, which may have held a standard in antiquity, perhaps similar to that shown in a contemporary seal carving in the Metropolitan's collection (1985.357.44).
In the ancient Near East, dogs were often associated with Gula, the goddess of healing. This dog is depicted in a watchful pose – seated, with an open mouth and forward-facing ears, now partially broken – and may have been set up as a guardian figure as well as a standard-bearer. Kassite artists were particularly skilled in sculpting clay, creating both sculptures and three dimensional brick compositions.
Text from: www.metmuseum.org/art/collection/search/327389
Mastiff in the Metropolitan Museum of Art, August…
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Mastiff
ca. mid-2nd millennium B.C.
Object Details
Period: Kassite
Date: ca. mid-2nd millennium B.C.
Geography: Mesopotamia
Culture: Kassite
Medium: Ceramic, paint
Dimensions: 16.3 x 14.17 in. (41.4 x 35.99 cm)
Classification: Ceramics-Sculpture
Credit Line: Purchase, The Charles Engelhard Foundation Gift, 1989
Accession Number: 1989.233
Dogs were regularly represented in the arts of Mesopotamia from earliest times, and were particularly popular in the later second millennium B.C. in central Babylonia. This clay mastiff is hollow on the inside. It retains traces of polychromy on its body, and remains of inlay in its eyes. The animal’s forehead wrinkles, snout, teeth, and muscular shoulders are carefully depicted. A braided collar circles the dog’s neck, and its tail is shown folded around its right hind leg. There is a hole at the top of its head, which may have held a standard in antiquity, perhaps similar to that shown in a contemporary seal carving in the Metropolitan's collection (1985.357.44).
In the ancient Near East, dogs were often associated with Gula, the goddess of healing. This dog is depicted in a watchful pose – seated, with an open mouth and forward-facing ears, now partially broken – and may have been set up as a guardian figure as well as a standard-bearer. Kassite artists were particularly skilled in sculpting clay, creating both sculptures and three dimensional brick compositions.
Text from: www.metmuseum.org/art/collection/search/327389
Mastiff in the Metropolitan Museum of Art, August…
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Title: Mastiff
Period: Kassite
Date: mid 2nd Millennium BC
Geography: Mesopotamia
Medium: Ceramic, paint
Dimensions: 16.3 x 14.17 in. (41.4 x 35.99 cm)
Classification: Ceramics-Sculpture
Credit Line: Purchase, The Charles Engelhard Foundation Gift, 1989
Accession Number: 1989.233
On View
Text from: www.metmuseum.org/Works_of_Art/collection_database/ancien...
and
Large-scale sculptures such as this may have been placed as guardians at temple entrances. The dog, in particular, was associated with Gula, the deity of the city of Isin and goddess of healing. The hole in the dog's head may have held a standard, as depicted on stamp and cylinder seals.
Text excerpted from the Metropolitan Museum of Art label.
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