Forum Romanum

The Column of Phocas (Italian: Colonna di Foca), is a Roman monumental column in the Roman Forum of Rome, Italy. Erected before the Rostra and dedicated or rededicated in honour of the Eastern Roman Emperor Phocas on August 1, 608, was the last addition made to the Forum Romanum. The fluted Corinthian column stands 13.6 m (44 ft) tall on its cubical white marble socle. On stylistic grounds, the column seems to have been made in the 2nd century for an unknown structure, and then recycled for the present monument. Likewise, the socle was recycled from its original use supporting a statue dedicated to Diocletian; the former inscription was chiselled away to provide a space for the later text. The base of the column was uncovered in 1813, and the inscription on it reads, in Latin: Optimo clementiss[imo piissi]moque / principi domino n[ostro] / F[ocae imperat]ori / perpetuo a d[e]o coronato, [t]riumphatori / semper Augusto / Smaragdus ex praepos[ito] sacri palatii / ac patricius et exarchus Italiae / devotus eius clementiae / pro innumerabilibus pietatis eius beneficiis et pro quiete / procurata Ital[iae] ac conservata libertate / hanc sta(tuam maiesta)tis eius / auri splend(ore fulge)ntem huic / sublimi colu(m)na(e ad) perennem / ipsius gloriam imposuit ac dedicavit / die prima mensis Augusti, indict[ione] und[icesima] / p[ost] c[onsulatum] pietatis eius anno quinto The English translation is as follows: To the best, most clement and pious ruler, our lord Phocas the perpetual emperor, crowned by God, the forever august triumphator, did Smaragdus, former praepositus sacri palatii and patricius and Exarch of Italy, devoted to His Clemency for the innumerable benefactions of His Piousness and for the peace acquired for Italy and its freedom preserved, this statue of His Majesty, blinking from the splendor of gold here on this tallest column for his eternal glory erect and dedicate, on the first day of the month of August, in the eleventh indiction in the fifth year after the consulate of His Piousness. The precise occasion for this signal honour is unknown, though Phocas had formally donated the Pantheon to Pope Boniface IV, who rededicated it to all the Martyr Saints—to whom Mary was added in the Middle Ages (Santa Maria ad Martyres). Atop the column's capital was erected by Smaragdus, the Exarch of Ravenna, a "dazzling" gilded statue of Phocas (which probably only briefly stood there). Rather than a demonstration to mark papal gratitude as it is sometimes casually declared to be, the gilded statue on its column was more likely an emblem of the imperial sovereignty over Rome, which was rapidly fading under pressure from the Lombards, and a personal mark of gratitude from Smaragdus, who had been recalled by Phocas from a long exile and was indebted to the Emperor for retrieving his position of power at Ravenna. In October 610, Phocas, a low-born usurper himself, was treacherously captured, tortured, assassinated and grotesquely dismembered; his statues everywhere were overthrown. The monument remains today in its original location (in situ). Its isolated, free-standing position among the ruins has always made it a landmark in the Forum, and it often appears in vedute and engravings. The rise in ground level due to silt and debris had completely buried the socle by the time Giuseppe Vasi and Giambattista Piranesi made engravings and etchings of the column in the mid-18th century. The square foundation of brick was not originally visible, the present level of the Forum not having been excavated down to its earlier Augustan paving until the 19th century. Text from: en.wikipedia.org/wiki/Column_of_Phocas

Decennalia Base (303 AD) Discovered in 1547, the Decennalia Base (Base dei Decennali) has been re-erected near its original position in the Rostra of the Imperial Forum. It is part of a set of five honorary columns erected in 303 AD for Diocletian's first visit to Rome on the occasion of the 20th anniversary of his reign and the 10th anniversary of the Tetrarchy (a four-emperor system). The columns were monoliths in pink Aswan marble; fragments can be seen on the ground north of the custodian's hut. The middle column had a statue of Jupiter, the others carried statues of the four emperors. All four sides of the base are decorated with high-quality reliefs in Proconnesian marble. The front side shows two winged Victories holding a medallion reading "Happy Tenth Anniversary of the Caesars." The left side depicts a procession of Roman senators in ornately folded togas; the right shows a bull, sheep and pig being led to sacrifice. On the back is the emperor making a sacrifice as he is crowned by a winged Victory and the gods Mars, Roma and Sol Invictus look on. Text from: www.sacred-destinations.com/italy/rome-roman-forum

Decennalia Base (303 AD) Discovered in 1547, the Decennalia Base (Base dei Decennali) has been re-erected near its original position in the Rostra of the Imperial Forum. It is part of a set of five honorary columns erected in 303 AD for Diocletian's first visit to Rome on the occasion of the 20th anniversary of his reign and the 10th anniversary of the Tetrarchy (a four-emperor system). The columns were monoliths in pink Aswan marble; fragments can be seen on the ground north of the custodian's hut. The middle column had a statue of Jupiter, the others carried statues of the four emperors. All four sides of the base are decorated with high-quality reliefs in Proconnesian marble. The front side shows two winged Victories holding a medallion reading "Happy Tenth Anniversary of the Caesars." The left side depicts a procession of Roman senators in ornately folded togas; the right shows a bull, sheep and pig being led to sacrifice. On the back is the emperor making a sacrifice as he is crowned by a winged Victory and the gods Mars, Roma and Sol Invictus look on. Text from: www.sacred-destinations.com/italy/rome-roman-forum

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus

The white marble Arch of Septimius Severus (Italian: Arco di Settimio Severo) at the northwest end of the Roman Forum is a triumphal arch dedicated in AD 203 to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194/195 and 197-199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly Geta's image and inscriptions referring to him were removed from the arch. The arch was raised on a travertine base originally approached by steps from the Forum's ancient level. The central archway, spanned by a richly coffered semicircular vault, has lateral openings to each side archway, a feature copied in many Early Modern triumphal arches. The three archways rest on piers, in front of which are detached composite columns on pedestals. Winged Victories are carved in relief in the spandrels. A staircase in the south pier leads to the top of the monument, on which were statues of the emperor and his two sons in a four-horse chariot (quadriga), accompanied by soldiers. The Arch stands close to the foot of the Capitoline Hill. A flight of steps originally led to the central opening, as one still does to the Arch of Trajan at Ancona. By the 4th century erosion had raised the level of the Forum so much that a roadway was put through the Arch for the first time. So much debris and silt eroded from the surrounding hills that the arch was embedded to the base of the columns. The damage wrought by wheeled medieval and early modern traffic can still be seen on the column bases, above the bas-reliefs of the socles. During the Middle Ages repeated flooding of the low-lying Forum washed in so much additional sediment and debris that when Canaletto painted it in 1742, only the upper half of the Arch showed above ground. The well-preserved condition of the arch owes a good deal to its having been incorporated into the structure of a Christian church. When the church was refounded elsewhere, the arch remained ecclesiastical property and was not demolished for other construction. Text from: en.wikipedia.org/wiki/Arch_of_Septimius_Severus