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Adenla in the Metropolitan Museum of Art, January 2026
Title: Adéńlá (big crown)
Artist: Yoruba bead artist
Date: late 19th–early 20th century
Geography: Nigeria, Osogbo region
Culture: Yoruba peoples
Medium: Glass beads, cotton, bone, wood, mixed media offerings
Dimensions: H. 12 x Diam. 8 5/8 in. (30.5 x 21.9 cm)
Classification: Beads-Costumes
Credit Line: Gift of Ernst Anspach, 1976
Object Number: 1976.202
Curatorial Department: The Michael C. Rockefeller Wing
The conical woven frame upon which a Yoruba leader’s crown is constructed is a microcosm of the world and a visualization of personhood. A bead artist recites prayers and makes offerings before undertaking the elaboration of its surface. This example’s exuberant color and pattern exemplify ojú-ọnà, an ideal quality of design consciousness and originality. An adéńlá is complete when a priest inserts herbal medicines that transform and fuse the wearer’s identity with that of the crown’s sacred lineage.
Text from: www.metmuseum.org/art/collection/search/310177
Artist: Yoruba bead artist
Date: late 19th–early 20th century
Geography: Nigeria, Osogbo region
Culture: Yoruba peoples
Medium: Glass beads, cotton, bone, wood, mixed media offerings
Dimensions: H. 12 x Diam. 8 5/8 in. (30.5 x 21.9 cm)
Classification: Beads-Costumes
Credit Line: Gift of Ernst Anspach, 1976
Object Number: 1976.202
Curatorial Department: The Michael C. Rockefeller Wing
The conical woven frame upon which a Yoruba leader’s crown is constructed is a microcosm of the world and a visualization of personhood. A bead artist recites prayers and makes offerings before undertaking the elaboration of its surface. This example’s exuberant color and pattern exemplify ojú-ọnà, an ideal quality of design consciousness and originality. An adéńlá is complete when a priest inserts herbal medicines that transform and fuse the wearer’s identity with that of the crown’s sacred lineage.
Text from: www.metmuseum.org/art/collection/search/310177
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