The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
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Detail of Nude Arranging her Hair by Manet in the…
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Nude Arranging her Hair by Manet in the Metropolit…
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Woman with a Tub by Manet in the Metropolitan Muse…
Woman with a Tub by Manet in the Metropolitan Muse…
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Detail of the Singer in Green by Degas in the Metr…
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Singer in Green by Degas in the Metropolitan Museu…
Detail of Repose by Manet in the Metropolitan Muse…
Detail of Repose by Manet in the Metropolitan Muse…
Detail of Repose by Manet in the Metropolitan Muse…
Detail of Repose by Manet in the Metropolitan Muse…
Detail of Repose by Manet in the Metropolitan Muse…
Detail of Repose by Manet in the Metropolitan Muse…
Detail of Repose by Manet in the Metropolitan Muse…
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Mary Cassatt at the Louvre: Etruscan Gallery by Degas in the Metropolitan Museum of Art, December 2023
Title: Mary Cassatt at the Louvre: The Etruscan Gallery
Artist: Edgar Degas (French, Paris 1834–1917 Paris)
Sitter: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise) and her sister, Lydia
Date: 1879–80
Medium: Soft-ground, drypoint, aquatint, and etching; third state of nine
Dimensions: Plate: 10 9/16 x 9 1/8 in. (26.8 x 23.2 cm)
Sheet: 17 x 12 in. (43.2 x 30.5 cm)
Classification: Prints
Credit Line: Rogers Fund, 1919
Object Number: 19.29.2
Degas depicted his close friend and fellow painter Mary Cassatt and her sister, Lydia, in this unconventional etching. Unlike the working-class women who served as his best-known subjects-ballet dancers, laundresses, and prostitutes-the Cassatt sisters were representative of his own station. Their status as prosperous and respectable women is reflected in their attire, deportment, and engagement in a leisurely activity. Degas portrayed Mary, who posed for the standing figure at right, with her back turned toward the viewer and her face hidden. Rather than looking out of the picture, her gaze is focused on an Etruscan sarcophagus bearing reclining figures that symbolize marital harmony-an ironic comment, perhaps, from Degas given that both sisters were unmarried.
Text from: www.metmuseum.org/art/collection/search/358801
Artist: Edgar Degas (French, Paris 1834–1917 Paris)
Sitter: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise) and her sister, Lydia
Date: 1879–80
Medium: Soft-ground, drypoint, aquatint, and etching; third state of nine
Dimensions: Plate: 10 9/16 x 9 1/8 in. (26.8 x 23.2 cm)
Sheet: 17 x 12 in. (43.2 x 30.5 cm)
Classification: Prints
Credit Line: Rogers Fund, 1919
Object Number: 19.29.2
Degas depicted his close friend and fellow painter Mary Cassatt and her sister, Lydia, in this unconventional etching. Unlike the working-class women who served as his best-known subjects-ballet dancers, laundresses, and prostitutes-the Cassatt sisters were representative of his own station. Their status as prosperous and respectable women is reflected in their attire, deportment, and engagement in a leisurely activity. Degas portrayed Mary, who posed for the standing figure at right, with her back turned toward the viewer and her face hidden. Rather than looking out of the picture, her gaze is focused on an Etruscan sarcophagus bearing reclining figures that symbolize marital harmony-an ironic comment, perhaps, from Degas given that both sisters were unmarried.
Text from: www.metmuseum.org/art/collection/search/358801
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