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Detail of St. Christopher and the Infant Jesus by Ghirlandaio in the Metropolitan Museum of Art, February 2019

Detail of St. Christopher and the Infant Jesus by Ghirlandaio in the Metropolitan Museum of Art, February 2019
Saint Christopher and the Infant Christ


Object Details

Artist: Domenico Ghirlandaio (Domenico Bigordi) (Italian, Florence 1448/49–1494 Florence)

Medium: Fresco

Dimensions: 112 x 59 in. (284.5 x 149.9 cm)

Classification: Paintings

Credit Line: Gift of Cornelius Vanderbilt, 1880

Accession Number: 80.3.674


This imposing, well-preserved mural is an early work by Ghirlandaio, one of the most popular painters in late-fifteenth-century Florence and a master of the fresco technique. Its provenance is unknown, and the tradition that it decorated a chapel in the church of San Miniato fra le Torri in Florence is probably wrong: that fresco was described by early writers as about twice the size and was attributed to the Pollaiuolo brothers.

In true fresco technique, pigments mixed with water are applied directly on a fresh (or fresco) plaster wall. As the plaster sets, a chemical reaction occurs whereby the pigment particles become locked into the wall, giving the work great durability. In the fifteenth century, the design for a fresco was often executed with a red pigment, known as sinopia, on a preparatory layer of coarse plaster ("arriccio"). Over this was laid just the amount of finely ground plaster ("intonaco") that could be painted in a single day. Our fresco comprises seven such sections, or "giornate", which closely follow the contours of the figures and drapery.

The painting is in exceptionally good condition. Many details, especially in the landscape, were added after the plaster had dried. Such "a secco" details have usually fallen away.


Text from: www.metmuseum.org/art/collection/search/436492

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