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Detail of The Farewell of Telemachus and Eucharis…
Detail of The Farewell of Telemachus and Eucharis…
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Detail of Sarpedon and Thanatos on the front of th…
View of the front of the Euphronios Krater in the…
Detail of Hermes on the front of the Euphronios Kr…
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Paris by Canova in the Metropolitan Museum of Art,…
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Homer: Epic Poetry by Puvis de Chavannes in the Bo…
Detail of Homer: Epic Poetry by Puvis de Chavannes…
Automedon with the Horses of Achilles by Regnault…
Automedon with the Horses of Achilles by Regnault…
Detail of Automedon with the Horses of Achilles by…
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Mythological Relief with the Death of Priam in the…
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Detail of a Fragment of a Terracotta Calyx-Krater Attributed to the Black Fury Painter in the Metropolitan Museum of Art, June 2010
Two fragments of a terracotta calyx krater (mixing bowl)
Greek, South Italian, Apulian, red-figure, ca. 400-380 BC
Attributed to the Black Fury Painter
The ransom of Hector and Apollo with a goddess
Accession Number: 20.195, .196
The larger fragment shows Priam, King of Troy, kneeling as he supplicates the Greek hero Achilles for the corpse of his son Hector. Priam's cap with long lappets clearly characterizes him as oriental. Behind Priam stands Hermes, the messenger god, identifiable by his winged boots. The male figure at the far left is probably an attendant of Priam. The white column in the background is part of Achilles' tent. The second fragment shows Apollo, god of music, holding his kithara, a lyre used in performance. The seated female before him may be his sister Artemis. The painting is exceptional for the rich detail and polychromy as well as the characterization of the distraught Priam.
Text from the Metropolitan Museum of Art label.
Greek, South Italian, Apulian, red-figure, ca. 400-380 BC
Attributed to the Black Fury Painter
The ransom of Hector and Apollo with a goddess
Accession Number: 20.195, .196
The larger fragment shows Priam, King of Troy, kneeling as he supplicates the Greek hero Achilles for the corpse of his son Hector. Priam's cap with long lappets clearly characterizes him as oriental. Behind Priam stands Hermes, the messenger god, identifiable by his winged boots. The male figure at the far left is probably an attendant of Priam. The white column in the background is part of Achilles' tent. The second fragment shows Apollo, god of music, holding his kithara, a lyre used in performance. The seated female before him may be his sister Artemis. The painting is exceptional for the rich detail and polychromy as well as the characterization of the distraught Priam.
Text from the Metropolitan Museum of Art label.
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