Prints From Paper Negatives

© Graham Hughes 2015 All Rights Reserved Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2 Digital birth, analogue end.

© Graham Hughes 2015 All Rights Reserved Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2 Digital birth, analogue end. This print was actually under exposed in the enlarger........but I kinda like that high key look..

© Graham Hughes 2015 All Rights Reserved Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2 Digital birth, analogue end.

© Graham Hughes 2015 All Rights Reserved Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2. Original paper negative taken on my Pentacon 6 TL which sadly needs repairing.

© Graham Hughes 2015 All Rights Reserved Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2

© Graham Hughes 2015 All Rights Reserved Emulsion lift silver gelatin paper negative prints. (silver gelatin prints) Scanned and tweaked lovingly in Nik SFX Pro 2 The building is the Cornish Pumphouse by The Martha Goldmine in Waihi New Zealand. The building was moved 100 meters back from the edge of the mine some years ago to preserve it. The original image was shot on my EOS 30D. If anyone would like to know more about this process, please let me know and I will share it.

© Graham Hughes 2015 All Rights Reserved Silver gelatin contact print on Ilford Multigrade Fiber Based Paper from a silver gelatin paper negative process. Image taken with a kodak Specialist No. 3 LF camera with and unknown brass lense. Printed @ Gallery259

© Graham Hughes 2015 All Rights Reserved Silver gelatin print from silver gelatin paper negative taken on Ernmann Globus 5 x 7 Fujinon 240 mm f6.3 lens.

© Graham Hughes 2015 All Rights Reserved Emulsion lift process. Positive on glass for negative paper negative. Positive print from paper neg....Ngunguru River. Northland New Zealand.

© Graham Hughes 2014 All Rights Reserved Silver gelatin print from emulsion lift process.

© Graham Hughes 2014 All Rights Reserved Silver gelatin print from emulsion lift process.

© Graham Hughes 2014 All Rights Reserved Silver gelatin print from emulsion lift process

Waimana Main St © Graham Hughes 2014 All Rights Reserved Original image taken on a Canon EOS 30D Silver gelatin print from emulsion lift process. The result from an emulsion lift experiment, and me attaching the positive colour emulsion to glass, making a bw paper negative print, and then printing the positive from the paper negative........so its a 3 generation print, from a Harvey Norman (Safeways type of thang) colour print original. Really pleased....can invert and make the oringinal emulsion (print) a true negative, then lift and attach to glass............and contact print. This is a reverse from my usual analogue birth to digital end workflow....digital birth to analogue end print now....huge potential

© Graham Hughes 2014 All Rights Reserved Silver gelatin print from a paper negative.Ernmann Globus 5 x 7 LF Camera, 1898 Ross Protar lens.….. 7 - 11 sec exposures. I am loving the feel of printing positives from my paper negatives taken on expired Agfa Grade 0 glossy paper, and printed on Tetenal Vario 5 matt paper. Exposures vary from 7 - 11 secs. Developed negatives and prints in Ilford Warmtone. This is the original level adjusted only.

Silver gelatin print from a paper negative.Ernmann Globus 5 x 7 LF Camera, 1898 Ross Protar lens.…. Scanned and processed in Nik Silver FX. 7 - 11 sec exposures. I am loving the feel of printing positives from my paper negatives taken on expired Agfa Grade 0 glossy paper, and printed on Tetenal Vario 5 matt paper. Exposures vary from 7 - 11 secs. Developed negatives and prints in Ilford Warmtone. Original level adjusted and selenium toned in Nik only.

© Graham Hughes 2014 All Rights Reserved Silver gelatin print from a paper negative.Ernmann Globus 5 x 7 LF Camera, 1898 Ross Protar lens.…. Scanned and processed in Nik Silver FX. Notes. I have a love for still lifes, natural light and using this camera and lense. The lens is over 100 years old and a beauty. Normally when I play at my gallery, www.gallery259.com I take the camera outside then bring it inside to develop the paper............I get worried the camera will get damaged or stolen. This image is from me setting up inside the workroom and creating a still life from objects I cut from the side of the road across from the gallery......I will do this more. I am loving the feel of printing positives from my paper negatives taken on expired Agfa Grade 0 glossy paper, and printed on Tetenal Vario 5 matt paper. Exposures vary from 7 - 11 secs. Developed negatives and prints in Ilford Warmtone.

Graham Hughes 2014 All Rights Reserved Silver gelatin sepia toned print from a paper negative. Expired Fujicolour paper. Scanned and processed in Nik Silver FX. Forget which lens, but taken on my LF 5 x 7 Globus

© Graham Hughes 2014 All Rights Reserved Silver gelatin paper negative print. Tetanal Vario paper. Taken with a Repromaster. Agfa 240mm lens (with fungus). Paper neg on Agfa Grade 0 Glossy paper.