Jonathan Cohen's photos

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11 Oct 2015

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403 visits

Gilbert Scott Bar Ceiling, #2 – St. Pancras Renaissance London Hotel, Euston Road, London, England

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11 Oct 2015

271 visits

Gilbert Scott Bar Ceiling, #1 – St. Pancras Renaissance London Hotel, Euston Road, London, England

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11 Oct 2015

1 favorite

214 visits

Rain Spout – St. Pancras Renaissance London Hotel, Euston Road, London, England

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11 Oct 2015

1 favorite

264 visits

Bygone Reflections – St. Pancras Renaissance London Hotel, Euston Road, London, England

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11 Oct 2015

1 favorite

214 visits

Griffen Spoken Here – St. Pancras Renaissance London Hotel, Euston Road, London, England

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11 Oct 2015

367 visits

Quite a Facade! – St. Pancras Renaissance London Hotel, Euston Road, London, England

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11 Oct 2015

226 visits

The Welcome Basket – St Pancras Railway Station, Euston Road, London, England

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11 Oct 2015

283 visits

The Champagne Bar – St Pancras Railway Station, Euston Road, London, England

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11 Oct 2015

549 visits

Laying Track – Frieze below the "Meeting Place" Statue, St Pancras Railway Station, Euston Road, London, England

Paul Day (born 1967) is a British sculptor. His high-relief sculptures in terracotta, resin, and bronze have been exhibited widely in Europe and his work is known for its unusual approach to perspective. The Meeting Place, a 9 m (30 ft) tall bronze statue in St Pancras railway station in London, surrounded by a frieze around its base. In 2008 a high-relief frieze was added to the base of the Meeting Place sculpture as part of refurbishments at St Pancras, featuring images from the history of the Tube and train: people queuing on platforms or traveling in carriages; soldiers departing for war and returning injured, and repair works following the 7 July 2005 London bombings. The work was the object of controversy when first erected, as one panel depicted a commuter falling into the path of a train driven by the Grim Reaper. However, following discussions with London and Continental Railways (LCR), this panel was replaced with another.
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