Évora intra-muros
Storks and company
Estremoz - marketplace
Why the back scratching ...
From the South
Lingueirão da Comporta e Cabo Espichel in PIP
Beach
King's Palace
Judas Tree
Delight
Oratorio - PiP please
Swallows
Cabo Espichel II
Cabo Espichel IV
Cabo Espichel IV
Lapas de S.Torpes
Hibiscus
Brincos de Princesa
Cabo Espichel - North view
Castelo de Vide
HFF
Aveia brava
Nora !
Nora and its other things . . .
Lemon flowers
Olaia
Vila Nova de Milfontes
HFF
Red Velvet
Amarilis
New Light
Frésia
HFF
We will be happy.
Wine
HFF
Nisa
The Family and the Sun
Camellia and big PIP family
Our school
One tilting world
Poppy
Templários - To him who passed away only one week…
Built to last . . .
Vila Viçosa - Paço Ducal
Palácio Ducal
Costa Vicentina
Is the limit
Look straight on - PIP´s
Marvão
Limpet
Two
Marvão
Rosa
Vila Viçosa II
Misericórdia de Mourão - Mercy
Vila Viçosa
Flowers, only.
Small flower
Lantana camara
Light
Myrtis communis
HFF
Morning light
Pretty Woman
See also...
Personas, lugares y estados de ánimo... / Persones, lieux et humeurs .... / People, places and moods ...
Personas, lugares y estados de ánimo... / Persones, lieux et humeurs .... / People, places and moods ...
Folk architecture, arquitectura popular, Volksarchitektur
Folk architecture, arquitectura popular, Volksarchitektur
Brunnen, Fontänen, Springbrunnen, Ziehbrunnen, Kaskaden, Wasserspiele, künstliche Quellen, Συντριβάνια-sintrivania, studnia, wodotrysk, pozo, fuente, studna, vodotrysk, puits, fontaines, spring, well, fountain, fonte, pozzo, fontana, ф
Brunnen, Fontänen, Springbrunnen, Ziehbrunnen, Kaskaden, Wasserspiele, künstliche Quellen, Συντριβάνια-sintrivania, studnia, wodotrysk, pozo, fuente, studna, vodotrysk, puits, fontaines, spring, well, fountain, fonte, pozzo, fontana, ф
Keywords
Authorizations, license
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The colours of Alentejo
Water reservoir of Vila Viçosa.
Colours of the Alentejo
The color of the buildings is one of the parameters that contributes to the definition of the identity of a place because it reflects the specific cultural values of the territory in which the dwellings are inserted and of the society that inhabited it over time. In this context, historic centers, are, in general, subject to more stringent rules but not always ...
Rigorous construction and maintenance, are important sources of information on materials and pictorial techniques traditionally employed. In Alentejo, the early preference shown by Municipal legislation for the use of lime - in painting exterior elevations and maintaining them - now allows to analyze the pigments that made up the chromatic palette
The urban agglomerations.
In the historic nuclei of the 47 municipalities of the province of Alentejo, spread over the districts of Beja, Évora, Portalegre and Setúbal, there are still many traces of whitewashing and pigmented bars, especially in buildings that are uninhabited or that have been maintained with few means. . From the observation of these buildings, we can see the importance that color has achieved in traditional finishes and we conclude that, contrary to what is suggested by the current stereotyped urban image of Alentejo, the colour keeps as much as possible still limited to the famous ocher and blue bars.
Colours of the Alentejo
The color of the buildings is one of the parameters that contributes to the definition of the identity of a place because it reflects the specific cultural values of the territory in which the dwellings are inserted and of the society that inhabited it over time. In this context, historic centers, are, in general, subject to more stringent rules but not always ...
Rigorous construction and maintenance, are important sources of information on materials and pictorial techniques traditionally employed. In Alentejo, the early preference shown by Municipal legislation for the use of lime - in painting exterior elevations and maintaining them - now allows to analyze the pigments that made up the chromatic palette
The urban agglomerations.
In the historic nuclei of the 47 municipalities of the province of Alentejo, spread over the districts of Beja, Évora, Portalegre and Setúbal, there are still many traces of whitewashing and pigmented bars, especially in buildings that are uninhabited or that have been maintained with few means. . From the observation of these buildings, we can see the importance that color has achieved in traditional finishes and we conclude that, contrary to what is suggested by the current stereotyped urban image of Alentejo, the colour keeps as much as possible still limited to the famous ocher and blue bars.
Helena Ferreira, Fred Fouarge, Malik Raoulda, Xata and 14 other people have particularly liked this photo
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