Masks II
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Masks


A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment. Masks have been used since antiquity for both ceremonial and practical purposes.
They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body. In parts of Australia, giant totem masks cover the body, whilst Inuit women use finger masks during storytelling and dancing.
The use of masks in rituals or ceremonies is a very ancient human practice across the world, although masks can also be worn for protection, in hunting, in sports, in feasts, or in wars – or simply used as ornamentation. Some ceremonial or decorative masks were not designed to be worn. Although the religious use of masks has waned, masks are used sometimes in drama therapy or psychotherapy.
The mask is normally a part of a costume that adorns the whole body and embodies a tradition important to the religious and/or social life of the community as whole or a particular group within the community. Masks are used almost universally and maintain their power and mystery both for their wearers and their audience.
(to be continued)
They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body. In parts of Australia, giant totem masks cover the body, whilst Inuit women use finger masks during storytelling and dancing.
The use of masks in rituals or ceremonies is a very ancient human practice across the world, although masks can also be worn for protection, in hunting, in sports, in feasts, or in wars – or simply used as ornamentation. Some ceremonial or decorative masks were not designed to be worn. Although the religious use of masks has waned, masks are used sometimes in drama therapy or psychotherapy.
The mask is normally a part of a costume that adorns the whole body and embodies a tradition important to the religious and/or social life of the community as whole or a particular group within the community. Masks are used almost universally and maintain their power and mystery both for their wearers and their audience.
(to be continued)
, Dimas Sequeira, Trudy Tuinstra, Bruno Suignard and 15 other people have particularly liked this photo
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J. Gafarot club has replied to William Sutherland clubJ. Gafarot club has replied to beverleyJ. Gafarot club has replied to beverleyFor the Cure:
Think Pink!
Breast Cancer Awareness!
J. Gafarot club has replied to ctofcscoJ. Gafarot club has replied to J.Garcia clubCes masques sont spécialement effrayants ... et ont peut-être un sens particuliers ...?
Est-ce une fête qui se passe au Portugal ?
Bonne journée, José.
J. Gafarot club has replied to Christiane ♥.•*¨`*•✿Bonne journée pour toi.
J. Gafarot club has replied to RHH clubI assume it is 4 to 5 years old because it doesn't seem thick enough to be taken out normally. Perhaps it was a sick tree. For the the first "harvest" the tree must be 25 to 30 years old. After that you must wait 9 years between takes. There are about 2,200,000 hectares of cork forest worldwide; 34% in Portugal and 27% in Spain. Annual production is about 200,000 tons; 49.6% from Portugal, 30.5% from Spain, 5.8% from Morocco, 4.9% from Algeria, 3.5% from Tunisia, 3.1% Italy, and 2.6% from France. The cork is traditionally stripped from the trunks every nine years, with the first two harvests generally producing lower quality cork. The trees live for about 300 years.
Thank you Ron.
J. Gafarot club has replied to Jaap van 't Veen clubIf you cannot see your VPU award, but want to? Please click here
J. Gafarot club has replied to Dimas Sequeira clubSign-in to write a comment.