Two Bone Players
The Bankers Fate
White Spot
The Billiard Marker & Henry George Liddell
Dream Snarks
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Holiday - Millais - Anonymous - Galle; detail
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Bonnet Head
Nose is a Nose is a Nose
Wood Shavings turned Pope
Carpenters Shop and Millais' Allusions
The Uncle over Darwin's Fireplace
The Snark in your Dreams
The Vanishing and the Gneiss Rock
Nosemorph
Thomas Cranmer's Burning
Victor in Your Dreams (2013)
The Bellman and Sir Henry Lee (no marks)
Wood Shavings turned Pope (1st version)
Darwin's Fireplace and the Baker's Dear Uncle
Henry George Liddell in "The Hunting of the Snark"
Snarked: Henry George Liddell
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Priest in the Mouth
Billiard-Marker & Henry George Liddell
Snark Hunt: Square One
False Perspective
Hidden Carrol
Thomas Cranmer's 42 Boxes
"But if ever I meet with a Boojum, that day, I sha…
The Butcher and Benjamin Jowett
Ditchley Snark
Ditchley Snark
While he rattled a couple of bones
While he rattled a couple of bones
Tree of Life
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So great was his fright that his waistcoat turned white
513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
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