Bellman & Bard for B&W printing
Where do Boojums live?
Bellman & Bard after retinex filtering
jub jub jub jub jub jub jub jub jub jub jub jub ..…
The Monster in the Branches
Two Bone Players
White Spot
Henry Holiday alluding to John Martin
Doré (1863), Holiday (1876), Doré (1866)
Hennry Holiday, the Bonnetmaker and a Bonnet
Holiday - Millais- Anonymous - Galle, detail
Holiday - Millais - Anonymous - Galle
Weeds turned Horses (detail)
Weeds turned Horses
Weeds turned Horses (BW)
Millais, Anonymous, Galle
The Broker's and the Monk's Nose
Thomas Cranmer's 42 Boxes
42 Boxes, Sheep, Iconoclasm
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Darwin's Study and the Baker's Uncle
William III, Religion and Liberty, Care and Hope
Star and Tail
A little Zoo in Charles Darwin's Study
Hidden Carrol
Billiard-Marker & Henry George Liddell
Bonnet Head
Thumb & Lappet
42 Boxes meet the Iconoclasts
From Doré's Root to Holiday's Rat
Weeds turned Horses (2)
The Baker's 42 Boxes
6 Sources to the Beaver's Lesson
Holiday - Millais- Anonymous - Galle, detail
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
Thomas Cranmer's Burning
The Butcher & the young Raleigh (details)
Holiday - Millais - Anonymous - Galle; detail
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Uncle over Darwin's Fireplace
The Billiard marker
Holiday and Gheeraerts I
An Expedition Team
With yellow kid gloves and a ruff
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
Inspiration by Reinterpretation
Tree of Life
The Butcher and Benjamin Jowett
Neuman, Butcher, Jowett
The Snark in your Dreams
Snark Hunt: Square One
Priest in the Mouth
Holiday and Gheeraerts I
The Boojum sitting on some of the 42 boxes
Nosemorph
J. J. Grandville's Monsters
Bellman & Bard
Bellman & Bard
Bellmen on the Rocks
The Art of Deniability
The Bellman and Charles Darwin
Snark Logo
The Vanishing and the Gneiss Rock
Henry Holiday & John Martin
The Bellman and Sir Henry Lee (no marks)
Bankersnatched by the Bandersnatch
Bellmen
Gnarly Monstrance
Bard and Bellman
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
Beagle and Beagle?
The Bell?
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
Anne I?
The Bellman and Father Time
Snark Hunting with the HMS Beagle
The Bellman and Sir Henry Lee
Beagle Landing
Beagle Laid Ashore (2)
The Paranoiac-Critical Method serves the Art of De…
Monster Feet
Henry Holiday's and M.C. Escher's allusions to Joh…
Beagle Laid Ashore
The Billiard Marker & Henry George Liddell
Snarked Workplace
Horses2Herbs
Herbs & Horses
Again: What I tell you three times is true!
The Bankers Fate
pictorial allusions
Tnetopinmo
Adriano Orefice: La cerca dello Squallo
TruthProof
Victor in Your Dreams (2013)
What I tell you three times is true!
SnarkLogo r
SnarkLogo
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Bellman & Bard after retinex filtering
[main image]: John Martin: The Bard (ca. 1817), by GIMP: contrast enhanced in the rock area & light areas delated & (most of) color removed & retinex filtering
[inset]: Henry Holiday: Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark, detail
In mydailyartdisplay.wordpress.com/the-bard-by-john-martin, "Jonathan" connects the painting to the poem The Bard written by by Thomas Gray in 1755. Inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard:
· · ...
· · On a rock, whose haughty brow
· · Frowns o'er cold Conway's foaming flood,
· · Robed in the sable garb of woe
· · With haggard eyes the Poet stood;
· · ...
· · A Voice, as of the Cherub-Choir,
· · Gales from blooming Eden bear;
· · And distant warblings lessen on my ear,
· · That lost in long futurity expire.
· · Fond impious Man, think'st thou, yon sanguine cloud,
· · Rais'd by thy breath, has quench'd the Orb of day?
· · To-morrow he repairs the golden flood,
· · And warms the nations with redoubled ray.
· · "Enough for me: With joy I see
· · The different doom our Fates assign.
· · Be thine Despair, and scept'red Care,
· · To triumph, and to die, are mine."
· · He spoke, and headlong from the mountain's height
· · Deep in the roaring tide he plung'd to endless night.
· · ...
Full text:
www.thomasgray.org/cgi-bin/display.cgi?text=bapo
spenserians.cath.vt.edu/TextRecord.php?action=GET&tex...
www.english.upenn.edu/~mgamer/Etexts/gray.bard.html
www.google.com/search?q="A+Voice,+as+of+the+Cherub-Choir"
The poem and the painting may have been an inspiration to Lewis Carroll and Henry Holiday in The Hunting of the Snark. This is about The Vanishing of The Baker:
· · 537 · · "There is Thingumbob shouting!" the Bellman said,
· · 538 · · · · "He is shouting like mad, only hark!
· · 539 · · He is waving his hands, he is wagging his head,
· · 540 · · · · He has certainly found a Snark!"
· · 541 · · They gazed in delight, while the Butcher exclaimed
· · 542 · · · · "He was always a desperate wag!"
· · 543 · · They beheld him--their Baker--their hero unnamed--
· · 544 · · · · On the top of a neighbouring crag.
· · 545 · · Erect and sublime, for one moment of time.
· · 546 · · · · In the next, that wild figure they saw
· · 547 · · (As if stung by a spasm) plunge into a chasm,
· · 548 · · · · While they waited and listened in awe.
Album:
John Martin
[inset]: Henry Holiday: Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark, detail
In mydailyartdisplay.wordpress.com/the-bard-by-john-martin, "Jonathan" connects the painting to the poem The Bard written by by Thomas Gray in 1755. Inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard:
· · ...
· · On a rock, whose haughty brow
· · Frowns o'er cold Conway's foaming flood,
· · Robed in the sable garb of woe
· · With haggard eyes the Poet stood;
· · ...
· · A Voice, as of the Cherub-Choir,
· · Gales from blooming Eden bear;
· · And distant warblings lessen on my ear,
· · That lost in long futurity expire.
· · Fond impious Man, think'st thou, yon sanguine cloud,
· · Rais'd by thy breath, has quench'd the Orb of day?
· · To-morrow he repairs the golden flood,
· · And warms the nations with redoubled ray.
· · "Enough for me: With joy I see
· · The different doom our Fates assign.
· · Be thine Despair, and scept'red Care,
· · To triumph, and to die, are mine."
· · He spoke, and headlong from the mountain's height
· · Deep in the roaring tide he plung'd to endless night.
· · ...
Full text:
www.thomasgray.org/cgi-bin/display.cgi?text=bapo
spenserians.cath.vt.edu/TextRecord.php?action=GET&tex...
www.english.upenn.edu/~mgamer/Etexts/gray.bard.html
www.google.com/search?q="A+Voice,+as+of+the+Cherub-Choir"
The poem and the painting may have been an inspiration to Lewis Carroll and Henry Holiday in The Hunting of the Snark. This is about The Vanishing of The Baker:
· · 537 · · "There is Thingumbob shouting!" the Bellman said,
· · 538 · · · · "He is shouting like mad, only hark!
· · 539 · · He is waving his hands, he is wagging his head,
· · 540 · · · · He has certainly found a Snark!"
· · 541 · · They gazed in delight, while the Butcher exclaimed
· · 542 · · · · "He was always a desperate wag!"
· · 543 · · They beheld him--their Baker--their hero unnamed--
· · 544 · · · · On the top of a neighbouring crag.
· · 545 · · Erect and sublime, for one moment of time.
· · 546 · · · · In the next, that wild figure they saw
· · 547 · · (As if stung by a spasm) plunge into a chasm,
· · 548 · · · · While they waited and listened in awe.
Album:
John Martin
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