Ditchley Snark
The Butcher and Benjamin Jowett
"But if ever I meet with a Boojum, that day, I sha…
Hidden Carrol
Bard and Bellman
Gnarly Monstrance
42 Boxes meet the Iconoclasts
6 Sources to the Beaver's Lesson
The Boojum sitting on some of the 42 boxes
The Snark in your Dreams
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
Carpenters Shop and Millais' Allusions
Two Noses
So great was his fright that his waistcoat turned…
Two Bone Players
The Bankers Fate
White Spot
Dream Snarks
Paradise Lost and the Beaver's Lesson
Holiday - Millais - Anonymous - Galle; detail
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
The Bellman and Father Time
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
The Bandersnatch fled as the others appeared
Weeds turned Horses
Weeds turned Horses (BW)
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
A Nose Job
Anne Hale Mrs. Hoskins
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IT WAS A BOOJUM
[left]: Henry Holiday's back cover illustration (1876) to Lewis Carroll's The Hunting of the Snark.
[right]: Allegorical English School painting (ca. 1610, redrawn and rearranged: 2013) of Queen Elizabeth I at Old Age with allegory of Death and Father Time.
(Location of original painting: Corsham Court, EAN-Number: 4050356835081)
www.corsham-court.co.uk/Pictures/Commentary.html: "This portrait of Elizabeth I illustrates the difficulties she encountered during her troubled reign. For example, conflict between Protestants and Catholics was rife and the re-drafting of the Book of Common Prayer (held in her left hand) was a sensitive issue of the time."
Changes of lower segment: Shifted mirror view
[right]: Allegorical English School painting (ca. 1610, redrawn and rearranged: 2013) of Queen Elizabeth I at Old Age with allegory of Death and Father Time.
(Location of original painting: Corsham Court, EAN-Number: 4050356835081)
www.corsham-court.co.uk/Pictures/Commentary.html: "This portrait of Elizabeth I illustrates the difficulties she encountered during her troubled reign. For example, conflict between Protestants and Catholics was rife and the re-drafting of the Book of Common Prayer (held in her left hand) was a sensitive issue of the time."
Changes of lower segment: Shifted mirror view
Stan Askew, , , have particularly liked this photo
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front cover:
seen in The Dark Side
seen in Assemblage
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