Inspiration by Reinterpretation
The Bellman and Father Time
Crossing the Line
While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
The Butcher and Benjamin Jowett
"But if ever I meet with a Boojum, that day, I sha…
Hidden Carrol
Bard and Bellman
Gnarly Monstrance
42 Boxes meet the Iconoclasts
6 Sources to the Beaver's Lesson
The Boojum sitting on some of the 42 boxes
The Snark in your Dreams
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
Carpenters Shop and Millais' Allusions
Two Noses
So great was his fright that his waistcoat turned…
Two Bone Players
The Bankers Fate
White Spot
Dream Snarks
Paradise Lost and the Beaver's Lesson
Holiday - Millais - Anonymous - Galle; detail
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
Star and Tail
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
The Bandersnatch fled as the others appeared
Weeds turned Horses
Weeds turned Horses (BW)
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
A Nose Job
Anne Hale Mrs. Hoskins
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The Bellman and Sir Henry Lee
The Bellman (segment of an illustration by Henry Holliday to Lewis Carroll's The Hunting of the Snark) and a mirrored view of an unfinished portrait of Sir Henry Lee by Marcus Gheeraerts the Younger
Yes, the noses and the eyes are different. This is not a face comparison. In this case, Holiday's pictorial allusions refer to the surroundings of Lee's face, not to the face itself. As in several other cases, Holiday maintained the topological relation between the quoted shapes. Here the shapes are the nodes in two quite similar graphs.
Holiday even "copied" the cracks in the varnish of Gheerert's painting.
Yes, the noses and the eyes are different. This is not a face comparison. In this case, Holiday's pictorial allusions refer to the surroundings of Lee's face, not to the face itself. As in several other cases, Holiday maintained the topological relation between the quoted shapes. Here the shapes are the nodes in two quite similar graphs.
Holiday even "copied" the cracks in the varnish of Gheerert's painting.
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This was my second "Snark finding" (January 2009). The first one (December 2008) is here: www.ipernity.com/doc/goetzkluge/34431511
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