Holiday - Millais - Anonymous - Galle
The Butcher and Benjamin Jowett
"But if ever I meet with a Boojum, that day, I sha…
Gnarly Monstrance
42 Boxes meet the Iconoclasts
Thomas Cranmer's Burning
William III, Religion and Liberty, Care and Hope
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Holiday and Gheeraerts I
The Hunting of the Snark
See also...
See more...Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
2 044 visits
42 Boxes, Sheep, Iconoclasm
[left]: Segment from Henry Holiday's depiction of the Baker's visit to his uncle (1876) in Lewis Carroll's The Hunting of the Snark. Outside of the window are some of the Baker's 42 boxes.
[center]: Segment from John Everett Millais: Christ in the House of His Parents (1850).
[right]: segment from Edward VI and the Pope, An Allegory of Reformation, mirrored view (Anonymous, 16th century); depiction of iconoclasm. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, I think, it is an inset which was meant to be perceived as a window as well.
·
Holiday quoted pictorial elements from both paintings [center, right]. I assume that he must have noticed, that Millais quoted from the 16th century painting.
[center]: Segment from John Everett Millais: Christ in the House of His Parents (1850).
[right]: segment from Edward VI and the Pope, An Allegory of Reformation, mirrored view (Anonymous, 16th century); depiction of iconoclasm. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, I think, it is an inset which was meant to be perceived as a window as well.
·
Holiday quoted pictorial elements from both paintings [center, right]. I assume that he must have noticed, that Millais quoted from the 16th century painting.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
J. E. Millais
Thomas Cranmer's 42 Boxes
Sign-in to write a comment.