Holiday - Millais- Anonymous - Galle, detail
Holiday - Millais - Anonymous - Galle
An Expedition Team
Millais, Anonymous, Galle
The Bandersnatch fled as the others appeared
With yellow kid gloves and a ruff
Thomas Cranmer's 42 Boxes
42 Boxes, Sheep, Iconoclasm
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Darwin's Study and the Baker's Uncle
William III, Religion and Liberty, Care and Hope
Star and Tail
The Bellman and Sir Henry Lee
Inspiration by Reinterpretation
A little Zoo in Charles Darwin's Study
Snark Hunting with the HMS Beagle
The Bellman and Father Time
Tree of Life
Anne I?
While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
The Butcher and Benjamin Jowett
The Snark in your Dreams
"But if ever I meet with a Boojum, that day, I sha…
Hidden Carrol
Billiard-Marker & Henry George Liddell
Bonnet Head
Thumb & Lappet
42 Boxes meet the Iconoclasts
From Doré's Root to Holiday's Rat
The Carpenter and Ahasuerus
Holiday and Gheeraerts I
Holiday - Millais- Anonymous - Galle, detail
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
The Bellman and Sir Henry Lee (no marks)
IT WAS A BOOJUM (bw)
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
The Vanishing and the Gneiss Rock
Tnetopinmo
Holiday - Millais - Anonymous - Galle; detail
The Uncle over Darwin's Fireplace
Carpenters Shop and Millais' Allusions
Wood Shavings turned Pope
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
White Spot
The Billiard Marker & Henry George Liddell
Dream Snarks
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Doré (1863), Holiday (1876), Doré (1866)
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Holiday and Gheeraerts I
Illustration by Henry Holiday to The Hunting of the Snark (1876, chapter The Vanishing) and The Image Breakers (1566-1568) by Marcus Gheeraerts the Elder.
How does blurring help to compare the images? The Priest in the Mouth detail is displayed using two high resolution images (middle) which then again have been low pass filtered (bottom). That filtering helps to focus on larger structures.
This was the first allusion by Henry Holiday to another work of art which I discovered in December 2008.
How does blurring help to compare the images? The Priest in the Mouth detail is displayed using two high resolution images (middle) which then again have been low pass filtered (bottom). That filtering helps to focus on larger structures.
This was the first allusion by Henry Holiday to another work of art which I discovered in December 2008.
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