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Priest in the Mouth
Holiday and Gheeraerts I
Holiday and Gheeraerts I
The Snark in your Dreams
Heads by Henry Holiday and Marcus Gheeraerts the E…
Nosemorph
The Bandersnatch fled as the others appeared
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Bonnet Head
Snark Hunt: Square One
The Paul Juraszek Monolith (by Marcus Wills, 2006)
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Two Noses
Dream Snarks
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Heads by Holiday & Gheeraerts 2000x2000
Details in the Mouth
Les visions du chevalier tondal (1475, detail in g…
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les-visions-du-chevalier-tondal C2G
Nose is a Nose is a Nose
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- Photo replaced on 02 Jun 2013
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A Nose Job
![A Nose Job A Nose Job](https://cdn.ipernity.com/107/66/57/15156657.acc9ee21.640.jpg?r2)
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[left]: a segment of Henry Holiday's illustration to The Banker's Fate (after his encounter with the Bandersnatch) in Lewis Carroll's The Hunting of the Snark (1876) and
[right]: a horizontally compressed segment of The Image Breakers (1566-1568), an etching by Marcus Gheeraerts the Elder. The resemblance of the "noses" is obvious once you mirror the nose in this image about a horizontal axis.
Reinterpratation of shapes (examples):
The segment of the spectacle frame is less obvious. Blurr the corresponding segment in Gheeraert's etching and you understand how Henry Holiday worked here (blue box). Another segment of the spectacle frame additionally has been black&white inverted (green box).
A cross(?) in Gheeraert's etching turns into a rectangular nostril. Holiday kept it rectangular in his illustration (yellow box).
[right]: a horizontally compressed segment of The Image Breakers (1566-1568), an etching by Marcus Gheeraerts the Elder. The resemblance of the "noses" is obvious once you mirror the nose in this image about a horizontal axis.
Reinterpratation of shapes (examples):
The segment of the spectacle frame is less obvious. Blurr the corresponding segment in Gheeraert's etching and you understand how Henry Holiday worked here (blue box). Another segment of the spectacle frame additionally has been black&white inverted (green box).
A cross(?) in Gheeraert's etching turns into a rectangular nostril. Holiday kept it rectangular in his illustration (yellow box).
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