Holiday and Gheeraerts I
Millais, Anonymous, Galle
The Broker's and the Monk's Nose
Thomas Cranmer's 42 Boxes
42 Boxes, Sheep, Iconoclasm
Holiday - Millais - Anonymous - Galle
The Butcher and Benjamin Jowett
"But if ever I meet with a Boojum, that day, I sha…
Gnarly Monstrance
42 Boxes meet the Iconoclasts
Thomas Cranmer's Burning
William III, Religion and Liberty, Care and Hope
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The Hunting of the Snark
![The Hunting of the Snark The Hunting of the Snark](https://cdn.ipernity.com/107/49/61/15154961.b8b1bb48.640.jpg?r2)
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The Hunting of the Snark (1876) has been written by Lewis Carroll and illustrated by Henry Holiday.
The Image shows Henry Holiday's illustrations to the front cover and the back cover of the book and paintings depicting Queen Elizabeth I, to which Henry Holyday may have alluded.
There are many more pictorial allusions in Henry Holiday's Snark illustrations.
The Image shows Henry Holiday's illustrations to the front cover and the back cover of the book and paintings depicting Queen Elizabeth I, to which Henry Holyday may have alluded.
There are many more pictorial allusions in Henry Holiday's Snark illustrations.
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Elizabeth I & Her People
www.npg.org.uk/whatson/elizabethi/exhibition.php
The following question may answer to help the first question: Why do writers "hide" elements of works of other writers in their own writings?
web.archive.org/web/20161226172011/http://empirecontact.com/concept/allusion.html: "The most powerful stories operate on more than one level. They allude to another story or myth, indirectly referencing something biblical, classical, mythological, epic, poetic, musical, et cetera. Doing so engages the conscious and subconscious mind at once, making the story bigger than it is by itself; making it universal. Analogy, allegory, and conceit can also be used to the same purpose [...]"
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