Main Praça, Ouro Preto
Unesco WHS, Ouro Preto
Marmoset
Feeding Frenzy
More Specifically, Black-tufted-ear Marmoset
Typical Streetscape
Parque Natural Municipal das Andorinhas
Looking Over Ouro Preto
The "Gold Church"
Looking Back to Central Ouro Preto
A Stop
In One of the Mines
The Curves of Bahia
Our First Salvador Meal, Moqueca
The Belly Button of Bahia
No, Jo, it will Never Fit
Natural Ventilation
Elevador Lacerda Behind Me
Unmistakable Salvador
Mmmm, Blue Drinks
Largo do Pelourinho
A Point on a Triangular Square
Continuing North
Around Town
Waiting
View Over Ouro Preto
Church of Saint Francis Assisi
Wet Streets in Action
Unesco Recognised
Prawns. Cheese.
Paraty
Colonial Architecture in Paraty
Island Vista
A Drink on a Fairly Idyllic Beach
From Our Room
Watching Sambadrome Fireworks
Selarón Steps
One of the Lead Floats
Samba School Dancers
Samba Parade Float
In the Sambadrome Stand
Carnaval Vibe
Caiparanihas, Beach, and Pão de Açúcar
Street Parties in Rio
Timbered Buildings
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A Work by Aleijadinho
Antônio Francisco Lisboa, known as Aleijadinho, the Little Cripple.
A legendary master sculptor and architect from Ouro Preto, who blended European techniques with Brazilian materials to develop new styles and signature works.
In his 30s, he developed a degenerative disease that slowly caused him to lose his fingers and toes. In spite of the incredible set back this must have had on his ability to create and fashion, he continued to produce works that are ranked as Brazilian masterpieces.
Towards the end of his life, he was known for asking his apprentices to strap tools to his arm, allowing him to continue working when he could no longer hold things in his hands.
I found this piece particularly captivating. It's so much more than the proportions, details and realism. I felt the emotions of Aleijandinho as he worked on this. I was emotionally stirred by the suffering that Christ endured. Looking at this, I appreciated that I was moved precisely as the artist had intended.
A legendary master sculptor and architect from Ouro Preto, who blended European techniques with Brazilian materials to develop new styles and signature works.
In his 30s, he developed a degenerative disease that slowly caused him to lose his fingers and toes. In spite of the incredible set back this must have had on his ability to create and fashion, he continued to produce works that are ranked as Brazilian masterpieces.
Towards the end of his life, he was known for asking his apprentices to strap tools to his arm, allowing him to continue working when he could no longer hold things in his hands.
I found this piece particularly captivating. It's so much more than the proportions, details and realism. I felt the emotions of Aleijandinho as he worked on this. I was emotionally stirred by the suffering that Christ endured. Looking at this, I appreciated that I was moved precisely as the artist had intended.
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