19TH CENTURY OPERA SINGERS

as Orlanda " LA REINE FIAMMETTE" by Xavier Leroux MARGUERITE CARRE (Marguerite Caroline GIRAUD) 1880-1947 French Soprano Studied at the Conservatory in Bordeaux . Joined opera Comique in 1902. She married Albert Carre Director of the Opera Comique . She was the first Pamina and Madama Butterfly at the Opera Comique. She never travelled outside of France .She participated in the first on 23 May 1905, Cherubino (Nina) by Jules Massenet; on 28 December 1906 by Giacomo Puccini Madama Butterfly (Cio-cio-san) [French version of Paul Ferrier]; on 22 May 1908 by Snegourotchka (Snegourotchka) Nikolai Rimsky-Korsakov's [French version of Pierre Lalo]; October 26, 1911, the secret of Suzanne (Suzanne Countess) of Ermanno Wolf-Ferrari [French version of Kufferath]; on December 30, 1913 life brief (Salud) by Manuel de Falla [French version of Paul Milliet]; June 18, 1923, Pepita Jiménez (Pepita) of Isaac Albéniz

as Wolfram "Tannhauser" Wagner RENAUD Maurice (Maurice CRONEAU ). — Baritonen (Bordeaux, 24 Julyt 1862 – Paris, 16 October 1933). Début 17 July 1891 in L'AFRICAINE (Nélusko). 1891, LES HUGUENOTS (Nevers), LA FAVORITE (Alphonse), SIGURD (Gunther, The Priest in 1896) ; 1892, FAUST (Valentin), GUILLAUME TELL (Leuthold, then Guillaume), AÏDA (Amonasro), LE SICILIEN (Tircis), OTHELLO (Iago) ; then SAMSON ET DALILA (Grand Priest 1893), TANNHÄUSER (Wolfram 1895) ; HAMLET (Hamlet), DON JUAN (Don Juan) in 1896 ; RIGOLETTO (Rigoletto), THAÏS (Athanaël) 1908 ; APOTHEOSE DE BEETHOVEN (Teltscher), HENRY VIII (Henry VIII) 1909 ; LA DAMNATION DE FAUST (Méphistophélès, 1910), LE VIEIL AIGLE ( Khan, 1914), MONSIEUR CHOUFLEURI RESTERA CHEZ LUI LE... (Fetermann, 1919). Creator in LOHENGRIN ( Telramund), SALAMMBO (Hamilcar), LA VIE DU POETE, RHEINGOLD (Albérich), DEIDAMIE (Ulysse), GWENDOLINE (Harald), DJELMA (Raim), LA MONTAGNE NOIRE (Aslar), FREDEGONDE (Hilpérik), MESSIDOR (le Berger), LES MAÎTRES CHANTEURS DE NUREMBERG (Beckmesser), LA PRISE DE TROIE (Chorèbe), LANCELOT (Arthus . He created at the Nouveau-Théâtre on April 26, 1906 the Clown (Auguste) of Isaac de Camondo

Marie Thierry 1875-1918 French Soprano Debut at the Monnaie Bruxelles 1900/01 season as Mimi , she was the first to sing the role of Mimi in Bruxelles, She established herself at the at L'Opéra-Comique in Paris making her Paris debut in Gounod's Mireille . She performed in the world premieres of : the title role in Missa's Muguette (1903), Bruneau's L'Enfant Roi as Georget (1905), and Silver's Le Clos as Genevieve (1906).

Maurice RENAUD (Maurice CRONEAU ) 24 July 1862 – 16 October 1933). Début 17 July 1891 in L'AFRICAINE (Nélusko). 1891, LES HUGUENOTS (Nevers), LA FAVORITE (Alphonse), SIGURD (Gunther, The Priest in 1896) ; 1892, FAUST (Valentin), GUILLAUME TELL (Leuthold, then Guillaume), AÏDA (Amonasro), LE SICILIEN (Tircis), OTHELLO (Iago) ; then SAMSON ET DALILA (Grand Priest 1893), TANNHÄUSER (Wolfram 1895) ; HAMLET (Hamlet), DON JUAN (Don Juan) in 1896 ; RIGOLETTO (Rigoletto), THAÏS (Athanaël) 1908 ; APOTHEOSE DE BEETHOVEN (Teltscher), HENRY VIII (Henry VIII) 1909 ; LA DAMNATION DE FAUST (Méphistophélès, 1910), LE VIEIL AIGLE ( Khan, 1914), MONSIEUR CHOUFLEURI RESTERA CHEZ LUI LE... (Fetermann, 1919). Creator in LOHENGRIN ( Telramund), SALAMMBO (Hamilcar), LA VIE DU POETE, RHEINGOLD (Albérich), DEIDAMIE (Ulysse), GWENDOLINE (Harald), DJELMA (Raim), LA MONTAGNE NOIRE (Aslar), FREDEGONDE (Hilpérik), MESSIDOR (le Berger), LES MAÎTRES CHANTEURS DE NUREMBERG (Beckmesser), LA PRISE DE TROIE (Chorèbe), LANCELOT (Arthus . He created at the Nouveau-Théâtre on April 26, 1906 the Clown (Auguste) of Isaac de Camondo

MARGUERITE CARRE (Marguerite Caroline GIRAUD) 1880-1947 French Soprano Studied at the Conservatory in Bordeaux . Joined opera Comique in 1902. She married Albert Carre Director of the Opera Comique . She was the first Pamina and Madama Butterfly at the Opera Comique. She never travelled outside of France .She participated in the first on 23 May 1905, Cherubino (Nina) by Jules Massenet; on 28 December 1906 by Giacomo Puccini Madama Butterfly (Cio-cio-san) [French version of Paul Ferrier]; on 22 May 1908 by Snegourotchka (Snegourotchka) Nikolai Rimsky-Korsakov's [French version of Pierre Lalo]; October 26, 1911, the secret of Suzanne (Suzanne Countess) of Ermanno Wolf-Ferrari [French version of Kufferath]; on December 30, 1913 life brief (Salud) by Manuel de Falla [French version of Paul Milliet]; June 18, 1923, Pepita Jiménez (Pepita) of Isaac Albéniz

Eugene Charles Caron 1834-1903 French Baritone Entered Paris Conservatory 1861 and studied singing with Paul Laget and declamation with Nicolas Levasseur he won one of the three First Prizes in singing.He was engaged by the Paris Opera that same year and made his official debut on 26 September 1862 as Count di Luna in a revival of Verdi's "Il Trovatore".He went on to sing leading baritone roles with the Paris Opera in a career spanning 25 years.He retired from the Paris Opera in 1886 and afterwards taught singing until 1900. Created Maître Jean in " Jeanne d'Arc" by Mermet 1876 and Enguerrand in "La reine Berthe " by Joncières 1878 he also sang in the world premieres of oratorios Les sept paroles du Christ by Théodore Dubois 1867 and La Vierge, by Jules 1880 and performed as a soloist in concerts of the Société des Concerts du Conservatoire, of which he was member from 1865 until 1873. Other roles included: Ashton in " Lucia de Lammermoor", Guy de Montfort in "Les vêpres siciliennes", Raimbaud in "Le comte Ory", Masetto in "Don Giovanni", Nélusko in "L'Africaine", Kilian in "Der Freischütz", Alphonse in "La favorite" , Le Comte de Nevers in "Les Huguenots", Hadjar in "Le tribut de Zamora", and Valentin in "Faust".

Josephine Gallmeyer (Josephine Tomaselli) 27 Feb 1838 - 3 Feb 1884 Austrian Soprano and Actress Her mother was the singer Tomaselli and her father the opera singer Michael Greiner. She was illigetimate, but after her mother married the actor C. Gallmeyer (1816-1867) and he accepter her as their child her last name became Gallmeyer. Josephine made her debut in Brünn when she was only fifteen years old. Nestroy brought her to Vienna in 1856, but their co-operation was little succesful. She returned to Brünn and only returned to Vienna in 1862 when Friedrich Strampfer engaged her at the Theater an der Wien. This time she quickly became a favourite of the public, singing in opera's, operettes and performing folk songs. She lived at the Praterstrasse.As director of the Strampfertheatre at the Tuchlauben (1874) she lost most of her fortune and she was was pressed by financial worries until her death, allthough she toured succesfully in the USA in 1882-1883.

MARIE CABEL ( Marie-Josèphe Dreulette[in Liège) (31 January 1827 – 23 May 1885) Belgian Soprano. Autographed 1866 She is probably best remembered for having created the role of Philine in Ambroise Thomas' opera Mignon. Cabel first studied voice in Liège with Bouillon, and, her father having died, gave music lessons to help support her mother. Cabel's younger brother Edmond also became a singer and in 1863 created the role of Hylas in Hector Berlioz' Les Troyens. Cabel studied voice in Brussels with Ferdinand Cabel and Louis-Joseph Cabel. In 1847 she gave a concert in Paris and continued her studies at the Paris Conservatory in 1848–1849. Cabel made her operatic debut in Paris at the Théâtre Chateau des Fleurs in 1848, and in 1849 sang the roles of Georgette in Halévy's Le val d'Andorre and Athénaïs in Halévy's Les mousquetaires de la reine at the Opéra-Comique, where she went almost unnoticed. Moving back to Brussels, she sang at the Théâtre de la Monnaie from 1850 to 1853 with greater success In 1852 she also appeared in Lyon,

MARIE GABRIELLE KRAUSS (Vienna, 23 March 1842 - January 06, 1906) Soprano She was nicknamed "the Rachel singing". Begins on the night of the inauguration of the Palais Garnier on 05 January 1875 in both first act of LA JUIVE (Rachel). Sings DON JUAN (Anna, 1875), LES HUGUENOTS (Valentine, 1875), ROBERT LE DIABLE (Alice, 1876), du FREISCHÜTZ (Agathe, 1877), the African (Selika, 1877), FAUST (Marguerite, 1882) and SAPPHO (Sappho, 1884). Is the creator of Joan of ARC (Jeanne d'Arc), POLYEUCTE (Pauline), AIDA (Aida), Madonna (the Virgin), the tribute of ZAMORA (Hermosa), HENRY VIII (Catherine of Aragon), RIGOLETTO (Gilda) and Fatherland! (Dolores). retired in 1888.

MARIE GABRIELLE KRAUSS (Vienna, 23 March 1842 - January 06, 1906) Soprano She was nicknamed "the Rachel singing". Begins on the night of the inauguration of the Palais Garnier on 05 January 1875 in both first act of LA JUIVE (Rachel). Sings DON JUAN (Anna, 1875), LES HUGUENOTS (Valentine, 1875), ROBERT LE DIABLE (Alice, 1876), du FREISCHÜTZ (Agathe, 1877), the African (Selika, 1877), FAUST (Marguerite, 1882) and SAPPHO (Sappho, 1884). Is the creator of Joan of ARC (Jeanne d'Arc), POLYEUCTE (Pauline), AIDA (Aida), Madonna (the Virgin), the tribute of ZAMORA (Hermosa), HENRY VIII (Catherine of Aragon), RIGOLETTO (Gilda) and Fatherland! (Dolores). retired in 1888.

ADELINA PATTI (19 February 1843 – 27 September 1919) Soprano Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.

ADELINA PATTI (19 February 1843 – 27 September 1919) Soprano Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.

as Guillaume "Messidor" by Alfred Bruneau CREATOR 19 February , 1897 in Paris. ALBERT ALVAREZ (Raymond Gourron) 16 January 1861- 26 February 1933 Studied singing with the Martini in Paris. 1886 debut at the Opera of Ghent as Gounod’s Faust. He then sang in Lyon and Marseille in 1892 and came to the Grand Opera of Paris .Sang 06.20.1894 in the premiere of Massenet’s “Thaïs” as Nicias, 1895 in the world premiere of “La Montagne Noire” by Augusta Holmès, 1897 Walther von Stolzing in the Paris premiere of “Meistersinger” by Wagner (in french language), in 1897 the world premiere of. Messidor,” by Bruneau 1901 in the world premiere of “Astarte” by Xavier Leroux, 1904 “Le fils de l’Étoile” by Erlanger, at the Grand Opéra Paris also in 1896 at the premiere of the opera “Hellé” by Duvernoy, 1898 “La Burgonde” by Vidal and 1905 at the premiere of the opera “Fredegonde” by Guiraud. In Monte Carlo, he starred in the world premieres of operas “Messaline” by De Lara (21/03/1899) and “Hélène” (dedicated to Nellie Melba) by Saint-Saëns (02/18/1904) .Guested 1893-1903 at Covent Garden Opera London. Here he sang on the 20/06/1894 Araquil in the world premiere of the opera “La Navarraise” by Massenet, 1893 in the world premiere of “Amy Robsart” by De Lara. In 1899-1903 he was the Metropolitan Opera New York (debut as Roméo in “Roméo et Juliette” by Gounod). In 1907-08 he undertook a major tour of Belgium and Germany. He worked as a teacher in Paris. Roles included Raoul in ‘Les Huguenots’ by Meyerbeer, Sigurd, in the opera of the same name by Reyer, Des Grieux in Massenet’s “Manon,” ,Tannhauser, Lohengrin, Siegmund in “Die Walküre,” Radames in “Aida” and Othello by Verdi, Fernand in “La Favorite,” by Donizetti, José in “Carmen”, Jean in “Le Prophete” by Meyerbeer, Rodrigue, in “Le Cid” by Massenet ,Matho in the “Salammbô” by Reyer, Hoffmann in “The Tales of Hoffmann by Offenbach,” Tristan in “Tristan and Isolde” by Richard Wagner and Faust in “La damnation de Faust” by Berlioz.

as Sigurd "Sigurd" by Reyer ALBERT ALVAREZ (Raymond Gourron) 16 January 1861- 26 February 1933 Studied singing with the Martini in Paris. 1886 debut at the Opera of Ghent as Gounod’s Faust. He then sang in Lyon and Marseille in 1892 and came to the Grand Opera of Paris .Sang 06.20.1894 in the premiere of Massenet’s “Thaïs” as Nicias, 1895 in the world premiere of “La Montagne Noire” by Augusta Holmès, 1897 Walther von Stolzing in the Paris premiere of “Meistersinger” by Wagner (in french language), in 1897 the world premiere of. Messidor,” by Bruneau 1901 in the world premiere of “Astarte” by Xavier Leroux, 1904 “Le fils de l’Étoile” by Erlanger, at the Grand Opéra Paris also in 1896 at the premiere of the opera “Hellé” by Duvernoy, 1898 “La Burgonde” by Vidal and 1905 at the premiere of the opera “Fredegonde” by Guiraud. In Monte Carlo, he starred in the world premieres of operas “Messaline” by De Lara (21/03/1899) and “Hélène” (dedicated to Nellie Melba) by Saint-Saëns (02/18/1904) .Guested 1893-1903 at Covent Garden Opera London. Here he sang on the 20/06/1894 Araquil in the world premiere of the opera “La Navarraise” by Massenet, 1893 in the world premiere of “Amy Robsart” by De Lara. In 1899-1903 he was the Metropolitan Opera New York (debut as Roméo in “Roméo et Juliette” by Gounod). In 1907-08 he undertook a major tour of Belgium and Germany. He worked as a teacher in Paris. Roles included Raoul in ‘Les Huguenots’ by Meyerbeer, Sigurd, in the opera of the same name by Reyer, Des Grieux in Massenet’s “Manon,” ,Tannhauser, Lohengrin, Siegmund in “Die Walküre,” Radames in “Aida” and Othello by Verdi, Fernand in “La Favorite,” by Donizetti, José in “Carmen”, Jean in “Le Prophete” by Meyerbeer, Rodrigue, in “Le Cid” by Massenet ,Matho in the “Salammbô” by Reyer, Hoffmann in “The Tales of Hoffmann by Offenbach,” Tristan in “Tristan and Isolde” by Richard Wagner and Faust in “La damnation de Faust” by Berlioz.

ALBERT ALVAREZ (Raymond Gourron) 16 January 1861- 26 February 1933 Studied singing with the Martini in Paris. 1886 debut at the Opera of Ghent as Gounod’s Faust. He then sang in Lyon and Marseille in 1892 and came to the Grand Opera of Paris .Sang 06.20.1894 in the premiere of Massenet’s “Thaïs” as Nicias, 1895 in the world premiere of “La Montagne Noire” by Augusta Holmès, 1897 Walther von Stolzing in the Paris premiere of “Meistersinger” by Wagner (in french language), in 1897 the world premiere of. Messidor,” by Bruneau 1901 in the world premiere of “Astarte” by Xavier Leroux, 1904 “Le fils de l’Étoile” by Erlanger, at the Grand Opéra Paris also in 1896 at the premiere of the opera “Hellé” by Duvernoy, 1898 “La Burgonde” by Vidal and 1905 at the premiere of the opera “Fredegonde” by Guiraud. In Monte Carlo, he starred in the world premieres of operas “Messaline” by De Lara (21/03/1899) and “Hélène” (dedicated to Nellie Melba) by Saint-Saëns (02/18/1904) .Guested 1893-1903 at Covent Garden Opera London. Here he sang on the 20/06/1894 Araquil in the world premiere of the opera “La Navarraise” by Massenet, 1893 in the world premiere of “Amy Robsart” by De Lara. In 1899-1903 he was the Metropolitan Opera New York (debut as Roméo in “Roméo et Juliette” by Gounod). In 1907-08 he undertook a major tour of Belgium and Germany. He worked as a teacher in Paris. Roles included Raoul in ‘Les Huguenots’ by Meyerbeer, Sigurd, in the opera of the same name by Reyer, Des Grieux in Massenet’s “Manon,” ,Tannhauser, Lohengrin, Siegmund in “Die Walküre,” Radames in “Aida” and Othello by Verdi, Fernand in “La Favorite,” by Donizetti, José in “Carmen”, Jean in “Le Prophete” by Meyerbeer, Rodrigue, in “Le Cid” by Massenet ,Matho in the “Salammbô” by Reyer, Hoffmann in “The Tales of Hoffmann by Offenbach,” Tristan in “Tristan and Isolde” by Richard Wagner and Faust in “La damnation de Faust” by Berlioz.

ALBERT ALVAREZ (Raymond Gourron) 16 January 1861- 26 February 1933 Studied singing with the Martini in Paris. 1886 debut at the Opera of Ghent as Gounod’s Faust. He then sang in Lyon and Marseille in 1892 and came to the Grand Opera of Paris .Sang 06.20.1894 in the premiere of Massenet’s “Thaïs” as Nicias, 1895 in the world premiere of “La Montagne Noire” by Augusta Holmès, 1897 Walther von Stolzing in the Paris premiere of “Meistersinger” by Wagner (in french language), in 1897 the world premiere of. Messidor,” by Bruneau 1901 in the world premiere of “Astarte” by Xavier Leroux, 1904 “Le fils de l’Étoile” by Erlanger, at the Grand Opéra Paris also in 1896 at the premiere of the opera “Hellé” by Duvernoy, 1898 “La Burgonde” by Vidal and 1905 at the premiere of the opera “Fredegonde” by Guiraud. In Monte Carlo, he starred in the world premieres of operas “Messaline” by De Lara (21/03/1899) and “Hélène” (dedicated to Nellie Melba) by Saint-Saëns (02/18/1904) .Guested 1893-1903 at Covent Garden Opera London. Here he sang on the 20/06/1894 Araquil in the world premiere of the opera “La Navarraise” by Massenet, 1893 in the world premiere of “Amy Robsart” by De Lara. In 1899-1903 he was the Metropolitan Opera New York (debut as Roméo in “Roméo et Juliette” by Gounod). In 1907-08 he undertook a major tour of Belgium and Germany. He worked as a teacher in Paris. Roles included Raoul in ‘Les Huguenots’ by Meyerbeer, Sigurd, in the opera of the same name by Reyer, Des Grieux in Massenet’s “Manon,” ,Tannhauser, Lohengrin, Siegmund in “Die Walküre,” Radames in “Aida” and Othello by Verdi, Fernand in “La Favorite,” by Donizetti, José in “Carmen”, Jean in “Le Prophete” by Meyerbeer, Rodrigue, in “Le Cid” by Massenet ,Matho in the “Salammbô” by Reyer, Hoffmann in “The Tales of Hoffmann by Offenbach,” Tristan in “Tristan and Isolde” by Richard Wagner and Faust in “La damnation de Faust” by Berlioz.

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as Phryne "Phyrne" by Massenet Juliette BILBAUT-VAUCHELET (Juliette Maria Angélique BILBAUT ) 26 September 1855 - 1 February 1925 French Soprano Studied at the School of Music of Douai, first the violin, then voice and continued her studies at the Paris Consevatiore. Debut 25 December , 1877 at Opera Comique as Isabelle in the “Le Pre-aux-Clercs” by Herold ,Her roles at the Opera Comique included Cherubino in “The Marriage of Figaro” by Mozart ; Queen of the Night and Pamina in “The Magic Flute” by Mozart; ; Micaela in Carmen by Bizet; Benjamin in “Joseph”by d’Etienne Méhul. Prascovia in L’Etoile du Nord by Meyerbeer; Athenaeus)in “les Mousquetaires de la Reine” by Halevy ; Catarina “les Diamants de la Couronne” by Auber At the Opera Comique she created the following roles: 30 December 1878 Suzanne in “Suzanne” byf Emile Paladilhe; 8 March 1880 Arlette in “Jean de Nivelle”by Léo Delibes ; 31 December, 1881 Henri Fideline in “ la Taverne des Trabans” by d'Henri Maréchal ; 23 March, 1882 Armande in “Galante adventure”by Ernest Guiraud.