Henry Sellier by Carjat
Josephine De Reszke by Pierre Petit
Marie Gabrielle Krauss & Josephine Daram by Benqu…
Jean Lassalle & Marie Gabrielle Krauss by Benque
Victor Capoul & Marie Rey by Nadar
Jean Lassalle by Benque
Marie Van Zandt by Benque
Jean-Alexandre Talazac and Adele Isaac, by Benque
Leon Gresse by Dupont
Jean- Baptiste Faure by Reutlinger
Harriett Waylett
Jenny Lind
Gabrielle Krauss by Benque
Therese Vogl by Mathaus
Therese Tietjens by Stereoscope Co
Pyotr Lodiy by Russian studio
Andrei Labinski by Russian studio
L N Bragina by Russian studio
Joachim Tartakov by Russian studio
Marguerite Priola by Maunoury
Juliette By Ulrich Grob
Rose Caron by Benque
Meyriane Heglon-Leroux by Reutlinger
Luigi Agnesi by Unknown
Carl Mayerhofer by Dr Szekely
Emma Seebold by Kriziwanek
Therese Vogl by Bieber
Bertha Ehnn by Rabending
Italo Campanini by Falk
Marie Heilbronn & Paul L'Herie by Nadar
Jean Baptiste Faure by Reutlinger
Emma Calve by Reutlinger
Elio Sylva by Pierre Petit
Jean Lassalle by Pierre Petit
Blanche Cole by Elliott & Fry
Charles Santley by Unknown
Clarice Sinico-Campobello by Mayall
Nina Zottmayr-Hartmann by Breuning
Mademoiselle Monrose by Reutlinger
Ernesto Niccolini by Disderi
Enrico Delle Sedie by Erwin
Enrico Delle Sedie By Caldesi
Alexandre Gourdin by Reutlinger
Enrico Delle Sedie by Pierson
Jean Baptiste Faure by Reutlinger
See also...
Mily Meyer by Chalot
MILY MEYER
(Émilie Mily Meyer)
(1852-1927)
French Soprano
Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of Le petit duc on 25 January 1878. Creations in La Camargo (1878),[2] Petite Mademoiselle (1879) and Belle-Lurette (1880) swiftly followed
also appeared at the Théâtre des Nouveautés as Kate in the French premiere of Rip and at the Théâtre des Bouffes Parisiens as Bianca in the first run of La Béarnaise in 1885. Also at Théâtre des Variétés was La Princesse de Trébizonde, while at the Théâtre des Folies-Dramatiques she was in the French premiere of Millöcker's La Demoiselle de Belleville (Die Jungfrau von Belleville).
Among many other operettas in which she sang were Roi de Carreau (1885) and Babolin (1884) at the Théâtre des Folies-Dramatiques (November 1884); La vie mondaine (1885) at the Théâtre des Nouveautés, and at the Théâtre des Bouffes Parisiens, La Béarnaise (1885), as Benjamine in Joséphine (1886), Gamine de Paris (1887), Le Retour d'Ulysse (1889), Le mari de la reine (1889), Cendrillonnette (1890) and revivals of Les petits mousquetaires and La Princesse de Trébizonde. Back at the Renaissance, she created La gardeuse d'oies (1888) and La petite Poucette (1891); followed by La Demoiselle du Téléphone (1891) at the Nouveautés, Fleur de Vertu (1894) at the Bouffes, and L'Élève du Conservatoire (1894) at the Théâtre des Menus-Plaisirs.
+ add a comment Comments
(Émilie Mily Meyer)
(1852-1927)
French Soprano
Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of Le petit duc on 25 January 1878. Creations in La Camargo (1878),[2] Petite Mademoiselle (1879) and Belle-Lurette (1880) swiftly followed
also appeared at the Théâtre des Nouveautés as Kate in the French premiere of Rip and at the Théâtre des Bouffes Parisiens as Bianca in the first run of La Béarnaise in 1885. Also at Théâtre des Variétés was La Princesse de Trébizonde, while at the Théâtre des Folies-Dramatiques she was in the French premiere of Millöcker's La Demoiselle de Belleville (Die Jungfrau von Belleville).
Among many other operettas in which she sang were Roi de Carreau (1885) and Babolin (1884) at the Théâtre des Folies-Dramatiques (November 1884); La vie mondaine (1885) at the Théâtre des Nouveautés, and at the Théâtre des Bouffes Parisiens, La Béarnaise (1885), as Benjamine in Joséphine (1886), Gamine de Paris (1887), Le Retour d'Ulysse (1889), Le mari de la reine (1889), Cendrillonnette (1890) and revivals of Les petits mousquetaires and La Princesse de Trébizonde. Back at the Renaissance, she created La gardeuse d'oies (1888) and La petite Poucette (1891); followed by La Demoiselle du Téléphone (1891) at the Nouveautés, Fleur de Vertu (1894) at the Bouffes, and L'Élève du Conservatoire (1894) at the Théâtre des Menus-Plaisirs.
+ add a comment Comments
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.