Harriett Waylett
Jenny Lind
Gabrielle Krauss by Benque
Therese Vogl by Mathaus
Therese Tietjens by Stereoscope Co
Pyotr Lodiy by Russian studio
Andrei Labinski by Russian studio
L N Bragina by Russian studio
Joachim Tartakov by Russian studio
Marguerite Priola by Maunoury
Juliette By Ulrich Grob
Rose Caron by Benque
Meyriane Heglon-Leroux by Reutlinger
David Yuzhin by Fisher Moscow
David Yuzhin by Russian Studio Moscow
Eugenia Mravina by Photography of Imperial Theatre…
Maria Slavina by Photography of Imperial Theatres…
Mikhail Karakash by Scassiet
Bellini's " La Sonnambula", 1830's
Jean-Baptiste Faure by Erwin
Adelina Patti by London Sterographic Co
Hermann Winkelmann by Bieber
Ernest Van Dyck by Hoffert
Leon Gresse by Dupont
Jean-Alexandre Talazac and Adele Isaac, by Benque
Marie Van Zandt by Benque
Jean Lassalle by Benque
Victor Capoul & Marie Rey by Nadar
Jean Lassalle & Marie Gabrielle Krauss by Benque
Marie Gabrielle Krauss & Josephine Daram by Benqu…
Josephine De Reszke by Pierre Petit
Henry Sellier by Carjat
Mily Meyer by Chalot
Luigi Agnesi by Unknown
Carl Mayerhofer by Dr Szekely
Emma Seebold by Kriziwanek
Therese Vogl by Bieber
Bertha Ehnn by Rabending
Italo Campanini by Falk
Marie Heilbronn & Paul L'Herie by Nadar
Jean Baptiste Faure by Reutlinger
Emma Calve by Reutlinger
Elio Sylva by Pierre Petit
Jean Lassalle by Pierre Petit
Blanche Cole by Elliott & Fry
See also...
Jean- Baptiste Faure by Reutlinger
as Paddock in "La Coupe du Roi de Thule" by Diaz CREATOR Theatre de National de L'Opera (Salle le Peletier) Paris on 10 January 1873.
JEAN-BAPTISTE FAURE (15 January 1830 – 9 November 1914)French operatic baritone
Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.
He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as Her Majesty's Theatre and the Theatre Royal, Drury Lane.
Among the many operas in which he appeared in Paris were Wolfgang Amadeus Mozart's Don Giovanni as well as L'étoile du nord, Les Huguenots and La favorite.
He also made history by creating several important operatic roles written by such prominent composers as Giacomo Meyerbeer, Giuseppe Verdi and Ambroise Thomas. They included the leading baritone parts in L'Africaine, Don Carlos and Hamlet (in 1865, 1867, and 1868 respectively).
His last stage appearances are recorded as taking place in Marseilles and Vichy in 1886.
JEAN-BAPTISTE FAURE (15 January 1830 – 9 November 1914)French operatic baritone
Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.
He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as Her Majesty's Theatre and the Theatre Royal, Drury Lane.
Among the many operas in which he appeared in Paris were Wolfgang Amadeus Mozart's Don Giovanni as well as L'étoile du nord, Les Huguenots and La favorite.
He also made history by creating several important operatic roles written by such prominent composers as Giacomo Meyerbeer, Giuseppe Verdi and Ambroise Thomas. They included the leading baritone parts in L'Africaine, Don Carlos and Hamlet (in 1865, 1867, and 1868 respectively).
His last stage appearances are recorded as taking place in Marseilles and Vichy in 1886.
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