Warten auf den Bäckerei-Lieferservice
micro sieste
Regarder dans la même direction
Akropolis Museum -Athens / view of the Parthenon
pediment detail of the Temple of Zeus in Olympia/…
bouzouki players
Petit-déjeuner
Le soleil met le feu dans les arbres
L'automne en campagne
HFF to all!
Un banc pour se reposer le soir devant sa maison
Bank of Arts Gallery (1923).
HFF everyone!!
Snake in the bottom of a dry water tank.
Ruins where once stood the house of Corte-Real fam…
Repos au soleil d'hiver
Tathra Wharf
dynastic urns- HUE/Vietnam
Monument to the 3 Fishermen from Faro.
HFF to all!!
A l'affût
Church of Holy Mary.
Floating house.
Church of Our Lady of the Good News (14th century)…
Pour être un pêcheur il faut de la patience
Tout fané le millepertuis
Enseigne Pasteur
Le poids des années
Ducal Palace, statue of King John IV and Royal Cha…
Campagne Espagnole
Un recyclage original
ancient Sardinian knife forge
Portuguese pavement.
JUBLAINS ville Gallo-Romaine 2/2
HWW à Lyon (4 PiP)
En avant la musique
Bon week-end.
HFF!! diving gondola in ZINGST (Baltic Sea)
Seule face a l'orage
A petits pas
La journée s'achève
Júlio Dinis House-Museum.
Boire un petit coup
City Hall.
Venus in the hedge
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" ART - comme architecture ! Art - like architecture ! Art - come l'architettura! " Art - wie Architektur !
" ART - comme architecture ! Art - like architecture ! Art - come l'architettura! " Art - wie Architektur !
Fenêtres, portes et façades / Windows, doors and façades.
Fenêtres, portes et façades / Windows, doors and façades.
Folk architecture, arquitectura popular, Volksarchitektur
Folk architecture, arquitectura popular, Volksarchitektur
words...mots...palavras...wörter...parole...palabras...слова...
words...mots...palavras...wörter...parole...palabras...слова...
+9999 photos no limits, no restrictions, no conditions
+9999 photos no limits, no restrictions, no conditions
Buildings - Bâtiments - Edificios - Edifici - Gebäude - Edifícios - Gebouwen - Budynki
Buildings - Bâtiments - Edificios - Edifici - Gebäude - Edifícios - Gebouwen - Budynki
Keywords
Theatre Stephens - House of Culture.
At Bernardino José Gomes Street, Marinha Grande.
This building was named after the selfmade man who ordered its construction. William Stephens, born in Landulph, Cornwall, in 1731, became orphan of both parents in 1746, leaving to Lisbon, where he became an accountant of his uncle and other merchants. In 1755, after the devastating earthquake that destroyed most of Lisbon, he became unemployed. He asked a loan to King Joseph I, in order to built a lime factory in Lisbon, foreseeing the needs of Lisbon reconstruction. The loan was yielded and the factory was active (with English coal) until 1761 - the demand for lime stayed short of his expectations, because of the delays in the reconstruction of Lisbon, and it was closed, only reopening in 1764. Anticipating the needs of window-panes for the new buildings, he accepted the suggestion of the king to reopen an old glass factory at Marinha Grande, in 1769. It was very successful and thriving, bringing growth, development and employment to Marinha Grande.
Stephens became very rich and at the same time concerned with the welfare of his workers. A health and first aid centre was created, and he managed to emerge a taste for theatre and culture among his workers, most of them analphabets, who nevertheless carried out roles as actors with surprising talent, even in French spoken plays.
Other glass factories were built, after his death in 1803. In the second half of the 20th century the demand of glassware decreased and some factories closed. The primitive one is still in labour, with high standards of quality and design, and Marinha Grande still keeps the memory of William Stephens with esteem and thankfulness.
This building was named after the selfmade man who ordered its construction. William Stephens, born in Landulph, Cornwall, in 1731, became orphan of both parents in 1746, leaving to Lisbon, where he became an accountant of his uncle and other merchants. In 1755, after the devastating earthquake that destroyed most of Lisbon, he became unemployed. He asked a loan to King Joseph I, in order to built a lime factory in Lisbon, foreseeing the needs of Lisbon reconstruction. The loan was yielded and the factory was active (with English coal) until 1761 - the demand for lime stayed short of his expectations, because of the delays in the reconstruction of Lisbon, and it was closed, only reopening in 1764. Anticipating the needs of window-panes for the new buildings, he accepted the suggestion of the king to reopen an old glass factory at Marinha Grande, in 1769. It was very successful and thriving, bringing growth, development and employment to Marinha Grande.
Stephens became very rich and at the same time concerned with the welfare of his workers. A health and first aid centre was created, and he managed to emerge a taste for theatre and culture among his workers, most of them analphabets, who nevertheless carried out roles as actors with surprising talent, even in French spoken plays.
Other glass factories were built, after his death in 1803. In the second half of the 20th century the demand of glassware decreased and some factories closed. The primitive one is still in labour, with high standards of quality and design, and Marinha Grande still keeps the memory of William Stephens with esteem and thankfulness.
Frans Schols, Marije Aguillo, Bergfex, Erika+Manfred and 12 other people have particularly liked this photo
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Admired in: www.ipernity.com/group/tolerance
A wonderful and interesting picture, which I like very much!
Very nice composition
Great colours too
Best Wishes, HFF, a nice weekend, and stay safe!!
Peter
www.ipernity.com/group/buildings
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