Acts of the Apostles
Derry Quinn
One Misty Moisty Morning (3)
Rhythmic and Spatial Qualities
Beer Barrels
Pointing Heavenwards
Toggles
The Check Tablecloth
Paula Hawkins
Vermeer is Out of Copyright
Three Apples
Fruit Bowl
Chiaroscuro
Fabergé Pear
'The Castle"
Crowded House
Two Sorts of Fabric
The Bolt
Sudden Rain
Scène Domestique
Tomioka Lament
Fly
Seen and Unseen
Sellotape & Scissors
The Photographer
The Age of the Slide Rule
Tomioka Gardening Gloves
This Is Not A Mirror
Tomioka Thin Depth of Field
Swerving
Twist
Porridge Pan
International Football
Tomioka Laundry
A Room With A Lamp
Lavazza, Prontissimo!
The New Fence
The Book of Rock Lists, and Other Treasures
An Angel of Locksbrook
Chinon Lens on Fuji Camera
The Unused Notice Board
Out of Steam
On a Bedroom Chair
Cosinon Chair
Ubi
Footwear
Measuring
Sink Waste (Helios-44)
Fujinon 55mm f/2.2
Wall
The Swerve
Dawn Over The Plain
Coatie
Unexpected Item 732
The Death Throes of a Californian Poppy
Tension
Fujinon 55mm f/2.2 Lens
The Garden According to Chinon
The Chinon Challenge
Going Downhill (Warhol Edit)
The Bridge
Pentacon Auto M42 135mm f/2.8 Lens
Unexpected Colours
Cobweb on Water Butt
And We're On Our Way
Trivento Argentina - 2015 Malbec Reserve (Label)
Warmer Edit
Ashton Mill Windows
Standing Room Only
See also...
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
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Nepalese Smoking Hat
I bought a Zenit-E to get the Helios-44 lens which was with it. This is the original lens that the Soviets copied from the Carl Zeiss Jena Biotar 58mm f/2.
It's a pre-set lens and takes a bit of getting used to. Received wisdom is to shoot it wide open at f/2 for the distinctive bokeh, but the contrast suffers when you do this.
At f/5.6 it becomes a nicer lens to use.
The Helios-44 was on a Fujifilm X-E1 camera set at 3200 ISO and 1/160th shutter. The lens was set at f/5.6.
It's a pre-set lens and takes a bit of getting used to. Received wisdom is to shoot it wide open at f/2 for the distinctive bokeh, but the contrast suffers when you do this.
At f/5.6 it becomes a nicer lens to use.
The Helios-44 was on a Fujifilm X-E1 camera set at 3200 ISO and 1/160th shutter. The lens was set at f/5.6.
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