The Death Throes of a Californian Poppy
Tri-X 400 Edit
June
Wheelbarrow
A Photoshoot With A Crap Camera
Recording an Experience in Different Ways
Red & Yellow (With Guest Appearance by Green)
Three Sticks
Red and Green
On the Bridge
Through the Heat Whispered Trees
An English Country Garden
Pavilion Chairs
Garden Rake in Shed
Dandelion Clocks
Jasmine in June
Thoughts on Being a Buddleia Bush
Buddleia Leaves
Sprinkler
Running Wild
Roses in Old Road
Hoses
A Pink Rose Amongst Red Valerian
Today's Monday
A Garden Beyond a Garden
Hydrangea 2014
Second Hand Books
Hydrangea in March
Baggage Check at the Scottish Border
Grape Hyacinth at 240mm
Hornbeam Hedge at 155mm
Meanwhile, Near A Doorway
The Grass
They Have Landed
Meanwhile, In A Parallel Universe
Without a Face
Summertime
Allium
In Colour
In An English Country Garden
The Distance
Columns
La Gioconda Avec L'appareil Photo
Vantage Point
The Radić Pavilion Is Closed
The Ground
Come Into The Garden, Maud
Girl in the Oudolf Field
The Missing Chairman
Two Visitors on a Bridge (Square B&W Edit)
Autumn in Holt
The Courts Garden Temple
My World Is Blue
Fallen Apples Under an Iron Bench
Autumn is Orange
Wheelbarrow
Teardrops
Sundial
Radić Pavilion in October (1)
What Do You See?
Yellow Throng
Soft at f/1.4
Hanging On
Apple by Tessar, 2019
Late Apple Blossom
Death of a Sunflower
Petunia by Tomioka
A Helios-44 Lens Amongst Yellow Bleeding Heart
Made in USSR
My Sunflower
Watering Sunflowers
Mixed Border
A Lifetime Observing Washing Lines
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Fujinon 55mm f/2.2 Lens
Although the lens mount of the Fujinon 55mm f/2.2 is the venerable M42 screw thread, closing down the aperture is a function which involves the cooperation of a companion camera, in this case a Fujica ST605 that I bought on eBay (complete with the lens) for £5. Using the lens on a Canon EOS digital camera via an adapter means using it at its widest aperture only. This photograph was about the best I could manage and if it looks half-way decent, much of the credit belongs to Lightroom. The lens is not multi-coated because Fuji economised on the specification of this camera/lens combination, aiming it at the budget-conscious. Thus the budget-conscious were deprived of contrast in their pictures. Even a lens hood doesn't make much difference.
Jean-luc Drouin, Luc Reiniche, Arlequin Photographie have particularly liked this photo
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Auf Naheinstellgrenze stellen und mindesten 2 m Abstand vom Objekt …
So als abstrakte Bilder ist es ok.
Bei meinen Bildern habe ich einen 2x Tele-Konverter verwendet, dann sind die Bubble größer aber nicht anders. Dann ist der Look ähnlich dem Trioplan 100 mm 2.8, welches wegen seiner Bubbles sehr teuer ist.
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