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*Italo-Byzantine Vacuity *Italo-Byzantine Vacuity


Manual Focus Lenses. Manual Focus Lenses.


M42 M42


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depth of field
Canon EOS 30D
M42
USSR
Zenith E
Chinon 55mm f/1.4


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What's Better Than No Camera?

What's Better Than No Camera?
Histoire: The Zenit-E was launched in 1967. 12 million of this, and later derivatives, were made. It was based on the Zorki rangefinder camera with the addition of a pentaprism and mirror. The Zorki rangefinder was a copy of the Leica II.

Mode d’emploi: Zero the film winder. Load the film. Close the back. Set the film speed. Wind on to the first frame. Remove the lens cap. Observe the light reading on the swing needle and select the optimum combination. Set the shutter speed and remember the desired aperture. With the lens wide open, focus on the subject. Then close down the aperture to the one you remembered. You can now depress the shutter.

In comparison to the point-and-shoot alternatives of the day there was one important difference: you got far more decent photographs from a Zenit for a little bit more on the purchase price.

Photographed with a Chinon 55mm f/1.4 lens on a Canon EOS 30D camera.

Steve Bucknell, have particularly liked this photo


Comments
 Steve Bucknell
Steve Bucknell club
I’m following the instructions confidently until “ remember the desired aperture “...Photography remains a mystery to me.
5 years ago.
The Limbo Connection club has replied to Steve Bucknell club
For a long time, lenses on an SLR camera have been clever. They let you look through them at the setting which admits the most light, so that you get a decent view and can focus and recompose at will. Then, when you press the shutter, they will automatically close down the quantity of light to the setting necessary for the right exposure. However, the lens that came with this camera is not clever. It is a pre-set. Thus, you set your shutter speed and your aperture consistent with the reading you obtained for good exposure. Often that means the view is too dim to focus. So you twist the aperture to its greatest setting for light; you focus; then you twist it back to where it was before (that's why you must remember it). Then you make the picture. For years I thought this was far too complicated. But it isn't. It just slows you down a bit. For photographing a moving subject it's crap. For a thing which keeps still, it is not a problem. Unless your short-term memory is poor.
5 years ago.
 Bob Taylor
Bob Taylor club
It's kind of fun taking pictures with the Zenit-E, though I never trust the built-in meter and usually carry an old light meter or else just take a guess. As for the aperture setting, on the Helios 44-2 you set the aperture ring, then twist it back to wide open to focus, and then twist the ring back to where you set it (it will stop turning at that point). So you don't really have to remember where you set it--you've pre-set it. For me, the annoying complication is having to load the film manually, an operation that can take me fifteen or twenty minutes before I get it right.
5 years ago.
The Limbo Connection club has replied to Bob Taylor club
Thanks very much for this contribution. Clearly my understanding of using pre-set was flawed. I have been using one of the early Helios-44 58mm f/2 lenses with a 49mm filter ring and the aperture ring at the front. It differs a bit from the lens which came with my (long gone) Zenit-EM. That was an automatic and it made pressing the shutter a test of strength. Thus my experience of pre-set lenses was small and my knowledge incomplete.
5 years ago.

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